The Thrash Metal Guide

Copyright (c) 2007 THE THRASH METAL GUIDE

0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

C.F.I. (USA)

Very good demo which crosses the aggressive thrash of Slayer and Dark Angel with heavier, pounding riffs in the vein of Nasty Savage and Anvil; very good vocals, too, similar to Jimmy Hamilton from Intruder.

Demo Demo, 1988

C.I.A. (USA)

Having gained enough experience from the thrash/crossover arena with Nuclear Assault, a guy called Glenn Evans has decided to form his own band. The style remains thrash/crossover, but is more melodic and less guitar-driven. Dan Lilker and Anthony Bramante from his old band guest on "In The Red". "In the Red" is a cool, albeit not an ecxeptional debut, simply because along with the hard-hitting thrashing numbers, there is a certain amount of pointless, heavy metal-based ones, and this contrasting mixture doesn't seem to work very well all the time. "Attitude" is more consistent, with no big jumps from one style to another, but the guitar work is less edgy, compared to the more aggressive side of the debut. The songs all have a thrashy vibe, but the tempo stays within the mid-range, accelerating on the last two songs, which are cool little thrashers.

In the Red Full-length, 1990
Attitude Full-length, 1992

C-187 (USA)

When former members of the greatest technical death metal acts get together (in this case: Atheist, Cynic, and Pestilence), what possibly could you expect? A stellar technical death metal album. Well, but this is not exactly what this album stands for; the guys have decided to shift from the expected path, and have created certainly technical music, but it might not satisfy their die-hard fans; so what we have here is groovy technical thrash with no shades of death metal whatsoever, sounding like a more technical version of Pantera and Machine Head. There are plenty of cool heavy, pounding riffs as well as interesting twists and turns, and if this album had been released by other musicians, it could have had a bigger appeal. Now it still sounds good and fairly interesting, but we all know that these guys are capable of much more.

Collision Full-Length, 2007

C-T PREVAIL (NORWAY)

Modern thrash, which combines the groovy side of the modern sound with some more intense sections. The short, aggressive tracks ("Listen") really lift up the mood, but they are not too many, and the rest is pretty derivative and predictable, accompanied by awful, shouty vocals.

She Said CT Didn't Give Her Anything EP, 2003
Metalweekend, Ålesund 2003 Split, 2003
Mean Season Full-length, 2008

CABAL (USA)

Mr. Killjoy (Necrophagia) continued his career after his main band's split-up with two projects- this one, and Killjoy. Although using almost the same musicians on both albums, this one is by far the better, featuring some intense, forceful thrash not too far from Slayer's "Reign In Blood", or Gammacide's "Victims Of Sciense". Perhaps this would remain Killjoy's finest "creation".

Midian Full-length, 1990

CABEZA DE MARTILLO (PANAMA)

This band are actually one of the first metal bands in Panama, having started as a Metallica cover act in the mid-80's. Based on "Crónicas del Dolor", the Metallica influences have been put far back, and what we have here is modern thrash with a certain hardcore touch, mostly heavy and mid-paced, but would have its appeal to the more classically-inclined fans with energetic old school thrashers like "Adentro" and "Sexpiritual", and some occasional tasteful guitar work.

Invasión Full-length, 1996
Crónicas del Dolor Full-length, 2000

CACERIA (ARGENTINA)

This young Argentinian band offer modern, groovy thrash, which is not too bad, especially when it speeds up (the opening "Una Razon"), but this should happen more often for the future, since quite often the music lacks an edge, smelling even nu-metal on the less inspired sections ("Alrededor").

Cortagargantas Full-Length, 2007

CAJE (USA)

Old school power/thrash. The music is predominantly heavy, but tracks like "Xnatas" are major headbangers and stir up the mood. But there are not too many of them this time, and the album inevitably starts to drag towards the end, a situation worsened with the inclusion of an 8-min ballad -"The Hole". Could be forgiven, it's their first album after all.

Caje Full-length, 2006

CALDERONE (GERMANY)

A nice little EP of German speed/thrash metal- think Warrant, Iron Angel, Paradox, early Angel Dust, topped by some impressive lead guitar work, and finished with a truly aggressive piece of thrash: "Quick One", which rivals even the more extreme Kreator songs from the same time.

Calderone EP, 1988

Vibrations Of Doom

CALHOUN CONQUER (SWITZERLAND)

Technical/progressive thrash, but having little to do with Coroner although coming from the same country. The riffs are not very technical; it's the way the songs are structured which make the band's sound complex. The EP is the much inferior effort, with simplistic, almost hardcore-ish sound on the first 2 songs, and slower, but not very convincing one on the next two, bordering on doom and early Celtic Frost (these guys must have influenced every second Swiss band at those times, more or less). Based on this material, the full-length comes as a complete surprise, revealing fully the band's potential to write more thought-out and complex songs. Even the less-than-a-minute, obscenely titled "Fuckhead" carries a certain technical charge. The music is mid-paced, with the presence of a few faster "traps" (pun intended) ("Psycho Trap"), with an interesting, unusual dream-like quality, typical for works like Voivod's "Killing Technology" and Equinox's "Xerox Success". The riffs are not sharp, and carry a lot of melody, as well as a shade of the playful hardcore spirit of the debut EP. The vocals are a downpoint, though, with their unemotional, semi-declamatory delivery, recalling Killing Joke.

...And Now You're Gone EP, 1987
Lost in Oneself Full-length, 1989

Vibrations Of Doom

CALIBOS (CZECH)

This is Calibos' only album which is interesting to thrash metal fans. The music is speed/thrash in the Paradox-mould, but at times it also recalls Iron Angel's "Winds Of War"; a very good stuff, will also appeal to fans of early Helloween- listen to the awesome hymn "MakLeoD", which is a pure speed metal delight. The speed predominates, but some slower, more relaxed songs are also added: "Velkomesto", and the ballad "Terasy". When the guys get angry, they come up with some mighty thrash riffs: the great smashing headbanger "Notorikuv Sen"- a masterpiece of speed/thrash. The other songs are more thrash-inclined, some even being of the heavier, stomping type: "Smrt". This was a truly impressive entry for the band into the metal arena, but they softened the sound on future releases, settling for speed/power metal of a more ordinary nature, a style typical for the 90's.

Calibos Full-length, 1992

CALIGULA (USA)

Another band where we have a Whiplash member involved; this time this is Tony Portaro, but he doesn't sing on this demo. The style here is neither too technical, nor too aggressive, like the title suggests, but has a little from both; it's close to 80's Flotsam & Jetsam, "No Place for Disgrace", in particular, with great bass work and quite fast-paced songs. "Paralysis" is a great speed/thrasher reminding also of the German school: Toxic Shock, Exumer.

Technical Aggression Demo, 1987

CANCER (UK)

After two quality death metal releases, Cancer turned to 80's thrash metal for inspiration to the big surprise of their fans. They have done a very good job playing some fast/aggressive thrash on "The Sins Of Mankind". There's not a moment lost with this one; the guitar work continues with the genuine, but not very overt technical edge from "Death Shall Rise". "Cloak Of Darkness" shows from the very beginning that here speed and aggression will play a secondary role. "Electro-Convulsive Therapy" is a more intense number, suggesting at the band's recent past, adding some Floridian death-metal riffage to the picture. But later on thrash reigns supreme, sometimes being of the heavier, stomping type ("Meat Train"), sometimes again death metal-tinged ("Suffer For Our Sins"), sometimes quite technical and frantic (the two part "Tribal Bloodshed", which offers aggressive bashing in the 1st part, and great dark, doomy thrash in the 2nd part, supported by nice Oriental tunes).
"Black Faith" continues in the thrash metal mould, but is a lot less impressive, trying to "update" the band's potent sound with some modern implements, resulting in a really bad mish-mash. On top of that comes the much more melodic guitar work, which at times has almost nothing to do with thrash ("Who Do You Think You Are", the awful balladic/doomy "Without Cause", which is miles away from the class of "Tribal Bloodshed"; and many others). To write in details about this album, would be a total waste of time; there's not a single track where one could bang his head at least for a second, except, only...ha ha!, that's funny- on the Deep Purple cover "Space Truckin'", which is the most aggressive track here.
The band disappeared after this one to return ten years later, with a sound which is an almost direct continuation of the not very convincing "Black Faith". Some more aggressive riffage has been added, only slightly hinting at the band's much higher potential

The Sins Of Mankind Full-length, 1993
Black Faith Full-length, 1995
Corporation$ EP, 2004
Spirit In Flames Full-length, 2005

CANDY STRIPER DEATH ORGY (USA)

Based on the first demo, this band with the very interesting name (there's no trace of death metal here) comes up with excellent speed/thrash metal which shares some of the aggression of Slayer and Vio-lence, but most of the time speeds up admirably, recalling Angel Dust and Destruction. The mixture works just perfect, "marrying" successfully the two styles from both sides of the Atlantic ocean.

Candy Striper Death Orgy Demo, 1990
God Bless Nuclear Warfare Demo, 1993
Massive Killing Force Demo, 1995
Ground Pounding Thrash Metal Demo, 1999

CANKER (SPAIN)

This trio (there are three people in the band) pull out excellent technical thrash/death metal of the classic school; fans of Nocturnus, No Return, Pestilence and Death will love that! "Physical" is a very promising start for the band; "Inquisition" opens it in an awesome way, with furious, very fast riffs, mixed with stupendous technical ones. "Opus Death" is even more aggressive, with raging blast beat sections, leaving little room for any technical exploits, which come with "Obliteration": a masterpiece of technical/progressive death/thrash, with a standout guitar performance, covering quite a few tempos and time changes. "Big Shit" is a direct little death metal explosion, but you can't expect more from a song with a title like this. After this short pause for a break, "Canker" comes splashing with hectic, complex riffage, sounding like a more technical Slayer, with a pinch of death. "Dark Destiny" is a marvellous technical speed/thrasher, with a direct nod to the Bay-Area scene (VioLence, Forbidden), with a twist. "Torture" thrashes in the same striking manner, maybe with a stronger presence of death metal, which warms up the listener for the larger-than-life progressive "Physical", which within its 10-min contains all which first rate technical/progressive thrash/death is about: fast headbanging sections, twisted technical passages, swirling leads, a not very long quiet balladic moment, some sparce blast beats, and more.
"Exquisites Tenderness" is more moderate, and closer to thrash, and could be considered the better effort. "Carrion" is a furious blasting piece, which would probably make you think that the order of the day here would be straight-in-your-face brutal death metal. "Out Of Control" changes the course, towards a slower stomping sound in the Bolt Thrower vein; nothing too technical here again. But with "Astral Voyage" the technicality arrives, and this song is a very cool progressive-laced thrasher, recalling Nocturnus and Pestilence, with a superb lead passage. "Evil Attack" is an attack indeed, and not of the evil (pun intened), but more of the jumpy, hectic, technical thrash type. "Exquisites Tenderness" is a small thrash/death piece, again with a strong technical edge, whereas "Dream Killer" is pure Death-worship, and could be very well placed on "Human". "Hardcore" is not hardcore, like the title suggests, but is a direct aggressive thrash number ala Slayer. The last track "Anachronia" is very similar to "Physical", the debut closer: a progressive thrash gem, starting in a more peaceful gothic atmospheric manner, before it continues in a more aggressive way akin to Pestilence and Death. The band are reportedly still active, but apparently they like taking their time.

Physical Full-length, 1994
Exquisites Tenderness Full-length, 1997

CANTARA (HOLLAND)

The band's style varies from aggressive, technical thrash/death on "Dark", to gothic-tinged, more melodic, but still effective death metal on "Fields Of Everlasting Serenity". "Dark" is the better effort with some great riffs in the Death, Pestilence-vein; a very good band from the Dutch underground.

Dark EP, 1993
Fields of Everlasting Serenity EP, 1998
A Moment To Reconsider Full-length, 2006

CAPHARNAUM (FRANCE)

Competent, but pretty ordinary 80's thrash metal. There are some attempts at longer, more atmospheric songs which end up sounding more like Candlemass than real thrash ("Last Vision"), and, ironically, they save this album from sinking completely. The opener "Heirs Of Humanity" is also worth mentioning, being a more ambitious composition, with some progressive tendencies; "Some Still Universe" is not too bad, either, being an energetic thrasher, recalling Destruction and Sacrifice, but the rest is standard thrash, ranging from more aggressive ("Vivisection (Stop The Torture)", "I Am Dead") tracks, to happy, crossover ones ("Don't Let Me Down"). "The New Poor Of The New Rich" obviously "courts" Slayer's "Post Mortem" in the beginning, but lacks its explosive continuation, remaining in the mid-tempo section.

Capharnaüm Full-length, 1993

CAPTOR (SWEDEN)

Based on "Lay It To Rest", this is great music which features the best moments from Sepultura's "Arise", Death's "Human" and Coroner's "Grin" plus some great heavy, progressive/technical tracks ("Fundamental Influence") which would stand proud even on Dark Angel's "Time Does Not Heal" or Heathen's "Victim Of Deception". This magnificent work is an awesome start for the band, but it overshadows everything which follows suit.

Lay it to Rest Full-length, 1993
Refuse To DIe EP, 1995
Drowned Full-length, 1996
Dogface Full-length, 1998
Alien Six Full-length, 2001

CARBIDE (USA)

This band is a must. First class technical speed/power/thrash recalling late 80's Helstar, among others. It's a real revelation to hear "Spiral Termination" in the mid 90's blasting through the speakers as though the golden period of metal has never been gone. "Total Impact" opens the album in an awesome way, with very heavy, steam-roller like and sharp guitar work, and massive bass bottom, creating dark, gloomy atmosphere. Most of the tracks flow in the same vein, with few exceptions: "Roll the Dice", which is pure speed metal joy ala Exciter, and "Life On A Line"- a heavy metal number which sounds as though directly taken from the Accept works from the mid 80's. The last song: "Into the Grave", is two Black Sabbath tracks put together, as cover versions: "Into the Void" and "Children of the Grave".
"Product Of The Real World", despite the 4-year gap, is another stellar effort, featuring the same thick, heavy sound from the debut. The music is faster and more thrashy, and less technical; the vocals are angrier, almost hardcore-ish. But the riffs will smash you all over, especially those on the mighty headbangers "Deathmachines" and "Psych 101", which also comes up with some brilliant, machine-gun like guitar work. A great unknown band, who belong to the very front row of metal.

Spiral Termination Full-length, 1994
Product Of The Real World EP, 1998

CARBONIZED (SWEDEN)

This is the band where the almighty Christofer Johnsson (Therion) started his career, along with another Therion member (Piotr Wawrzeniuk). His vocals are in a very good form, aggressive and vicious, suiting the music perfectly. The band's first three demos are quite aggressive thrash/death, one of the most brutal works which were released in Europe in the late 80's. This is simple, but intense music which sounds more aggressive than the works of their French counterparts from the same time. There is not much technicality, or original moments which could later be heard on the early Therion albums; some very good bass work is involved, but the rest is straight-forward. "For The Security" increases the technical play, but also the speed and brutality (there are no shades of thrash here anymore), and could easily rival even Suffocation's debut in those both criteria. The next two efforts stay true to the original and interesting music already displayed, but death metal is a distant memory: this is some jazzy form of alternative progressive metal/rock, which sounds interesting, but considering where the guys have started from...

Au-To-Dafe Demo, 1989
No Canonization Single, 1990
Recarbonized Demo, 1990
Cronology of Death Split, 1991
For the Security Full-length, 1991
Promo '92 Demo, 1992
Disharmonization Full-length, 1993
Screaming Machines Full-length, 1996

CARDINAL SIN (PUERTO RICO)

And here comes a band from Puerto Rico, of all countries! The guys play great, energetic thrash with a certain doze of humour reminiscent of Anthrax. No single traces of reggae or samba (sorry, this was in Brazil!). Great tempo and some very tasteful solos. There is also a cover version of Night Ranger (if this is not a rare choice, I don't know what else is!)- "Don't Tell Me You Love Me".

Infanticide Demo, 1989
Querer es Poder Demo, 1991
Resurrection Best of/Compilation, 2004
Secret Vault Exposed Volume 1 Best of/Compilation, 2004

CARNAGE (USA)

This band were formerly known as Metal Onslaught. The music here is better, being a really nice blend of aggressive Slayer-esque riffs, and some more technical ones ala Kreator's "Extreme Aggression" and "Coma of Souls". The tempo is fast and intense spiced with cool stylish technical breaks. The vocals are also quite good coming as a mix between Steve Souza (Exodus) and Bobby ``Blitz`` Ellsworth (Overkill).

Killing Spree Demo, 1989

CARNAL FORGE (SWEDEN)

One of the pioneers of modern death/thrash metal along with The Haunted and Dew-Scented. There's hardly anything which hasn't been said and written about this band- thrash on!

Who's Gonna Burn Full-length, 1998
Firedemon Full-length, 2000
Please... Die! Full-length, 2001
The More You Suffer Full-length, 2003
Aren't You Dead Yet? Full-length, 2004
Testify for My Victims Full-length, 2007

CARNIVORE (USA)

A cult thrash/crossover band featuring Peter Steele (Type O Negative) on vocals. The music is quite fast and intense at times, quite slow and doomy at others. The self-titled debut is quite an energetic, also simplistic affair, which will stir your blood on the faster tracks ("Carnivore", "Armagedon", "Legion of Doom"), but it has its more serious, albeit not very well developed, and a bit dragging moments ("Male Supremacy"). "God Is Dead" is slower, and could have passed unoticed, if it wasn't for the very cool ending, with a gothic shade, graced by nice operatic female vocals (look where the revolution in modern metal had begun!). "World Wars III and IV" is supposedly two songs: the 1st one is a cool speedy track with a Motorhead-vibe; the 2nd one is just noise, sounding as though the wars, mentioned in the title, have already begun.
"Retaliation" offers a more aggressive material, with a very direct, brutal hardcore-ish beginning ("Angry Neurotic Catholics", "S.M.D."). "Ground Zero Brooklyn" is a very pleasant surprise, being a nice slower, almost doomy number, with great crushing riffs, and remains the best song on this one. "Jesus Hitler" is a cool combination of thrash/crossover and doom, and is quite close at times to the early Type-O-Negative (Peter Steele's other band, with whom he explored the doomy fields much more profoundly) material. The same goes for the spacey "Manic Depression", after which the aggression returns with "U.S.A for U.S.A", and should have been the closer, because the last track "Five Billion Dead" is a somewhat pointless melodic instrumental, again reminding of the doomy spirit of the album, supported by a very good bass work.

Carnivore Full-length, 1985
Retaliation Full-length, 1987

CARNUN RISING (IRELAND)

The band's style is mostly old school death along the lines of Morbid Angel's "Altars Of Madness" and early Death, but there are quite a lot of thrash riffs, too. There is a very nice cover version of Slayer's "South Of Heaven".

At the Dawn of a New Dark Age Full-length, 2003

CARRION (SWITZERLAND)

The band's singer V.O. Pulver has been all over the Swiss metal scene (Messiah, Poltergeist, Gurd). His first band play speed/thrash metal akin to Vectom, Darkness, and Iron Angel, maybe faster than all those. The music clearly shows its age, but is enjoyable and energetic, with the presence of some very cool guitar work ("Demon's Child"). We should give these guys a bonus for the fact that before them in Switzerland it was only Celtic Frost who have released a full-length on the more brutal side of metal.

Evil Is There! Full-length, 1986

CASBAH (JAPAN)

Casbah are arguably the oldest metal band in Japan (formed in 1983). "Dinosaurs" includes songs from all their periods: from the hardcore-ish beginnings on the first demos, to some good old school thrash in the early 90's, and finally reaching up to their full-length where the style is more modern, but delivers the goods all the same. The band is still active nowadays, and it is a curious fact that so far they have only released one full-length album.

Bold Statement Full-length, 1997
Dinosaurs Best of/Compilation, 1998

CASKETGARDEN (HUNGARY)

Based on "This Corroded Soul of Mine", this band play modern thrash/death, energetic and fast, obviously influenced by the mighty At The Gates. There is nothing new here, but is done with professionalism and gusto.

This Corroded Soul of Mine Full-length, 2003
Open The Casket, Enter The Garden Full-length, 2006
Incompleteness In Absence Full-length, 2008

CASTLE OF BLOOD (USA)

Thrash/crossover of the more aggressive type, not too far from the early Prong works. The similarities in the vocal department are simply striking so you might get the impression that it's Tommy Victor who has lended his vocal abilities to this band for a while. These guys have the tendency to insert some more melodic semi-punk elements ("Another Day"), but when they decide to be merciless, they are exactly that: "Deceiver" (you can't be deceived by this one!).

Land of the Lost Demo, 1987

CASTROFATE (USA)

Melodic power/thrash with a more classic edge. The title opener is an awesome thrasher, but it kind of misleads, as what follows is less hard-hitting, and less impressive, with even some modern touches sneaking through here and there, as well as some quite good Iron Maiden-styled leads. Near the end the guys start taking themselves too seriously, and there are two long, sprawling tracks (one-7, the other-9min long) where the band try something more complex, but the slightly repetitive and not very interesting riffs ruin the intentions.

Awakening of the Beast Full-length, 2007

CASUS BELLI (GREECE)

The band's debut is typical speed/power metal with no any relations to thrash. "In The Name Of Rose" introduces some Annihilator-like riffs and the music gets some considerable edge, but the style remains close to bands like Attacker and Judas Priest's "Painkiller". Power metal fans will find more to enjoy here.

Mirror Out of Time Full-length, 2001
In the Name of Rose Full-length, 2005

CATALEPSY (BELGIUM)

Based on the debut: good classic thrash metal which would have been better if there weren't some more refined pieces as though the band wanted to attract fans from other, more melodic sides of the metal spectre: the light groovy hit "Brick By Brick", the soft, balladic "Here Comes King Gossip", the temparate heavy/power metal, with an laternative edge, "Clowns". The presence of those tracks makes it hard for the cool intense thrashers ("Hot Dog & Beercanhill", "Tortured Minds", "Suicide Letters") to raise this album on a very high level, but this is far from a mish-mash.

Fruitcakes We Have Known Full-length, 1993
Dragged Inside Out Full-length, 1994

CATALEPSY (FRANCE)

A very good 3-track demo of solid classic death/thrash metal; the vocals are strictly in the death metal field, and the music nicely switches from thrash to more intense death metal parts, resembling No Return's "Contamination Rises", but without any technical pretensions, although there are a few interesting riffs to be heard here, as well as some stylish leads.

Carnal Offering Demo, 1992

CATALEPSY (USA)

Well-played although roughly produced mixture of thrash and classic heavy metal not too far from Laaz Rockit's "Know Your Enemy" or SA Slayer. The singer is a woman and she pays her tribute to Bonnie Tylor with the cover version of her biggest hit "Piece Of My Heart".

Evil Within Demo, 1987

CATARACT (SWITZERLAND)

A modern blend of thrash and hardcore with some occasional death metal elements.

Golem Full-length, 2000
Martyr's Melodies EP, 2002
Great Days of Vengeance Full-length, 2003
With Triumph Comes Loss Full-length, 2004
Kingdom Full-length, 2006

CATCH 22 (USA)

Although the band's first demo had been released in the distant 1989, it's almost ten years later when they manage to enter the studio again, and since then have turned into one of the better power/thrash metal bands of the past ten years. The first two albums are especially recommended with their nods to the Bay-Area scene and stronger, thrash-ier attitude. "Awaken" loses some of the thrash metal intensity, opting for more classic heavy/power style, but it's still a very enjoyable listen. "Soulreaper Vol.1" is clearly a disappointment, straying even further away from thrash metal with only a few tracks ("Season Of The Witch" and "Soulreaper") reminding of the band's past.

Through Eyes of Pain Full-length, 1997
Time Reveals All Full-length, 1998
Awaken Full-length, 2003
Soulreaper Vol.1 Full-length, 2007

CAULDRON BORN (USA)

This obscure, but great band have followed on the steps of Helstar's late 80's period, and their two albums are probably the best follow-ups to the legendary "Nosferatu"; this is technical/progressive power/thrash at its absolute best. "Born Of The Cauldron" is a striking debut, with amazing technical guitar work, which probably goes even beyond "Nosferatu" on the more elaborate arrangements: check out the brilliant technical power/thrashers "The Sword's Lament" and "Synchronicity At Midnight-A Baying Of Hounds": whirlwinds of complex riffage and time changes. The other tracks are by no means more simplistic; certainly there are more immediate power metal numbers ("The Final Incantation In The Dreaming City", Crusader"), but the technical brilliance of the other material overshadows them almost completely. "In Fate's Eye A King" is a marvellous progressive epic/power/thrash tour de force, with superb guitar work and energetic galloping tempo. "Born Of The Cauldron" speeds up with mighty, aggressive riffs, and just when you think that this might be one of the few direct headbangers, comes the smashing technical passage, followed by superb lead performance. "Unholy Sanctuary" is a slow, doomy/epic song, in the best tradition of Manilla Road and Candlemass, if we exclude the faster passage near the end. The singer provides a voice, coming as a very good mix between James Rivera and Mike Shelton (Manilla Road), and does a great job.
"...And Rome Shall Fall" begins with the straight epic/power metal track, with no traces of technical play, but the following "...And Rome Shall Fall" is already a different story- a mighty speedy thrasher, which again doesn't pull out all the stops technicality-wise, but is intense and crushing. "Finder Of The Black Stone" carries on in the same vein, with brilliant lead guitar in the Shrapnel performers' vein, and nice choruses. "Blood Bath In The Arena" is a calmer power metal number, which for some reason reminds me of Iron Maiden, but faster and more aggressive. At this point the listener have already realized that the band have left the technical flair of the debut aside, and indeed, on the rest of the tracks the riffs are more immediate, with only timid shades of more technical play here and there. Consequently, the thrash side of the band's style is less covered, compared to the power metal one, but the mighty speedy guitars will easily make your day. The album is sustained in the same fast-paced, up-tempo way from the beginning, with no compromises for any mellow deviations. The new singer has a more melodic tember, clinging towards Bruce Dickinson and Jeoff Tate, but he suits perfect the faster and the more immediate music.

Born Of The Cauldron Full-length, 1997
...And Rome Shall Fall Full-length, 2002

CAUSTIC (SWITZERLAND)

Another band who remained in the shadow of Coroner and Celtic Frost. The band is obviously influenced by Slayer, as the EP is more energetic and faster, whereas the full length reminds of Slayer's more restrained late 80's period, but is the better offering of the two, with more technical playing and longer, more interesting songs. Even the Faith No More raging thrasher "Surprise You're Dead" is done in the same vein- not as frantic and furious as the original; an obscure, but a very worthy Swiss band.

Caustic EP, 1992
Malicious Full-length, 1993

CAUSTIC STRIKE (SWEDEN)

This is the same band known previously as Leprosy; the style is pretty much the same: good old school thrash with a sound similar to 80's Anthrax and Heathen (both albums). The music is hard-hitting, but nicely intercepted at times by more melodic guitar lines ("The Assassin (Part II)"), which create a cool blend, without ruining the overall picture. "In Agony" is a great thrasher, recalling Anthrax at their best, but those "courting" the Bay-Area scene ("Trapped in Rage") are by no means less impressive.

o Straight down the drain Demo, 2005

CAUSTIC THOUGHT (CANADA)

This band features Byron Stroud who later got involved with other more famous names like Strapping Young Lad and Fear Factory. The style here is a potent mixture of modern thrash and early Celtic Frost (similarities with this band in the vocal department, too), very well done.

Caustic Thought Full-length, 1994

CAUTIVA (SPAIN)

This is a one-man project, the name is José Travieso. He handles all the instruments, as well as the various vocal styles through the EP, helped by two guest musicians. The music is reasonably well executed progressive/technical thrash of the hectic, chaotic variety, and recalls a less aggressive Sieges Even, and early Psychotic Waltz; the tempo changes often, but doesn't speed up a lot, and the songs end up being very complex and not very easy to grasp at first, even at second listen, because the frequently changing rhythms, accentuated by the drums, and the various vocal styles create a kind of disjointed, hallucinogenic atmosphere. There are only two original songs here, actually: the opener is a Megadeth cover: "Take No Prisoners" from "Rust in Peace", and the last song is Coroner's "Shadow Of A Lost Dream" from "Punishment for Decadence".

Fire, Walk With Me! EP, 2008

CELELALTE CUVINTE (ROMANIA)

Few are the Romanian metal bands who are known outside their home land. The band's style could only loosely be described as thrash; although it is the base for the sound on both albums, the music is all over the place with quiet, balladic moments, female vocals, dark wave tunes and classic heavy metal riffs. By all means some thrash fans might lose their patience while waiting to hear some straight thrash riff; there are just not so many here.

Se lasã rãu Full-length, 1992
Armaghedon Full-length, 1994

CELESTIAL (GERMANY)

Aggressive thrash/death metal recalling the French Agressor. The band try to break the pattern by adding clean vocals and some keyboards, but both inclusions sound awkward, and they should probaly do better if they steer clear of such moments for the future.

Morior Ergo Sum Demo, 2004

CELESTIAL PAIN (SWEDEN)

This band was formed by members of the death metallers Unanimated after their split up. Based on "Hatred", the music bears no resemblances to their former band, going straight into thrash metal territory, although "Mission Attack" will strongly remind you of the old Death classic "Evil Dead". The music is very fast-paced, and overall the sound is very similar to "Scream Bloody Gore", with a more thrashy edge. A really good first effort which leaves a lot to be desired in the production department, though.

Hatred Demo, 1995
Aggression Full-length, 2004

CELTIC FROST (SWITZERLAND)

One of the most influential metal bands ever, these mighty Swiss forged their unique heavy, stomping sound on the first three releases, later imitated by hundreds of bands, before moving towards a more avantgarde direction on "Into The Pandemonium" which showed that these guys could not stand still waiting for things to happen around them, but they wanted to make them happen. A decidedly more melodic, but also very original, this album is often considered as their most revolutionary work. Alas, this album was also the way to a complete fiasco: "Cold Lake" was such a cold shower over the metal world that after all these years it is still regarded as the biggest flop in metal history with its pop-ish, later called "glam thrash" sound. Although "Vanity/Nemesis" was a very strong return to form, there were few people left around to enjoy it- an example of the unforgivable nature of the metal fanbase. Consequently, the band split after this one to be back again in 2006 with "Monotheist"-another attempt to bring something new to the scene (is that really possible-it's the 21st century!) with no big ties to thrash metal.

Morbid Tales EP, 1984
Emperor's Return EP, 1985
To Mega Therion Full-length, 1985
Tragic Serenades EP, 1986
I Won't Dance EP, 1987
Into the Pandemonium Full-length, 1987
Cold Lake Full-length, 1988
Vanity/Nemesis Full-length, 1990
Monotheist Full-length, 2006

CENTURION (USA)

Based on "Rides Again!", these guys play a mix of power and thrash with a certain epic atmosphere, with several more aggressive death metal elements thrown in, and gruff death metal vocals. The music is energetic, with a modern sound; there is a cool up-tempo cover of Manowar's "Thor", where the singer moves to melodic vocals to better suit the music; later on another cover awaits you: Bound For Glory's "Onward to Victory", which is pure unadulterated hardcore. The bad news is that the band adhere to ballads too often: there are 3 whole ones, very tender and romantic, and at least half of the other songs start in a quiet, balladic way.

Fourteen Words Full-length, 1994
Rides Again! Full-length, 1997

CENTVRION (ITALY)

A power/thrash metal band whose style is based on early Metal Church, Judas Priest's "Painkiller" and thrash, of course. This combination works quite well, but the vocals are terrible, running wild into all directions, ruining quite a bit from the positive impression created by the music. With a better singer these guys would be unstoppable.

Arise of the Empire Full-length, 1999
Hyper Martyrium Full-length, 2000
Non Plus Ultra Full-length, 2002
Invulnerable Full-length, 2005

CERBERO (BRAZIL)

A live album without any other releases- isn't this a feat? Well, the audience seemed quite excited, so apparently the guys must have released something deep underground. The band's music is a mix of power, speed and thrash, and despite the very bad sound quality, the energy and inspiration put into the making of this recording are hard to be disguised. The faster speed/thrashers work better: "Terra", "Napalm", the Metallica cover of "Metal Militia". On the other side we have heavy, up-tempo power metal numbers ("Monte Calvåio", "The Attack", which boasts some very cool bass bottom). "warrior" is a good power metal instrumental with an epic feeling.

Live at the Rainbow Live album, 2005

CERBERUS (USA)

Modern thrash/death metal- the soundalikes are as follows...

The Cage of Existence Full-length, 2005
What Have We Become? EP, 2006
Dispute The Truth Full-length, 2007

CEREBRAL FIX (UK)

This band came from the British punk/hardcore scene in the late 80's which is clear on their debut. But from then on it was only the vocals which reminded of the band's past; what followed was a string of three stellar albums which brought them to the forefront of UK thrash metal. "Tower Of Spite" already showed a new band, ready to compete with the best on the thrash metal arena. The guys offer a great variety, mixing up-tempo thrashers (the opener "Enter The Turmoil") with doom-laden tracks, which would even make acts like Saint Vitus and Candlemass listen in wonder ("Feast Of The Fools"- this one is a real masterpiece of doom!). Deviations like that are actually very few, and later on the attack continues with full force: the mighty up-tempo riff-fest "Chasten Of Fear", the crushing steam-roller "Injected", the heavy, slower, more melodic "Quest For Midian", the brutal short outbreak "Forgotten Genocide".
"Bastards" concentrates on the crushing, steam-roller like nature of the band's music, without too many changes from the pattern, and is another very solid release. The guitar sound creates a wall of heavy riffs, which would inevitably bear another doom metal number: "Beyond Jerusalem"; the guys have a penchant for writing the odd doom number, and do a very good job. "Mammonite" will stir the blood with some more intense riffage, but the real excitement comes with another short explosive piece of brutal thrashcore: "Maimed To Beg" (bad habits die hard!), and, of course, the rock'n roll joke at the end "Smash It Up".
"Death Erotica" is the band's magnum opus, a masterpiece of heavy, stomping thrash. The guitar work is more varied, even going for more technical elements at times, with a bigger sense of melody as well: the guitars in "Haunted Eyes", which could pass for an analogue of the doom metal tracks on the previous works, although it is not as slow; the magnificent main riff in "The Raft Of Medusa", which is a marvellous dreamy, almost progressive sounding song; the superb melodic, lead section on "Creator Of Outcasts". The tracks are all memorable, with several truly catchy moments (with a hit potential- ha ha!): the great "Angel`s Kiss". The bonus tracks at the end are covers: of the punkers Discharge ("Never Again")- a great energetic track!, Judas Priest ("Livin' After Midnight"), made exactly in the spirit of the mighty Brits, even the vocals take a much more acceptable melodic edge, certainly not in the Halford-vein, but quite enjoyable. Sadly, this was the last offering from the band's camp, with some of the members joining the more popular at the time death metal wagon (Benediction- the bass player Frank Healey, who also took part in another great British thrash act: Sacrilege).

Life Sucks... And Then You Die Full-length, 1988
Tower Of Spite Full-length, 1990
Bastards Full-length, 1991
Death Erotica Full-length, 1992

CEREBRAL HEMORRHAGE (USA)

This band was a side-project of Tony Bono (R.I.P.) from Whiplash, helped by Joe Cangelosi, who later took part in other acts like Kreator, Whiplash again, and Massacre. Based on the 1986 demo, this band play thrash/crossover, fast and quite aggressive at times, with excellent melodic guitar lines and not typical for this genre very good leads, often moving into pure thrash. There are some more experimental tracks ("Sploof Song") with a funky shade, but most of the time this is an energetic and hard-hitting stuff.

Demo Demo, 1986
Multiple Trauma Demo, 1987

CESSATION OF LIFE (USA)

"Kill You Again" starts in a great fast, aggressive way, and if the whole album was in the same vein, we would be talking a masterpiece here. Towards the end the music takes turn towards crossover, and the final result is not as good. Not that I have anything against crossover, but when the two styles are so obviously separated from each other, the impression is seldom on the positive side.

3 Songs For 2000 EP, 2000
Kill You Again Full-length, 2002
The Glory Of The World Is Passing EP, 2005

CESSPIT (FRANCE)

Heavy old school death/thrash metal with some occasional modern groove; the tempo is mostly mid-paced.

Mon Fils est une Omelette Full-length, 2004

CHAINSAW (HOLLAND)

A very good new band who manage to combine old school speed, thrash and classic heavy metal in a very enjoyable, old-fashioned way. "Master of Fate" is an awesome aggressive thrash opener, promising many headbanging moments, and if the rest of the songs were in the same vein, these guys could have jumped straight on top of the scene in their native land. But later on the music softens down, but preserves its appeal, if not even increasing it: the mighty, Oriental power/thrasher "The Butcher of Bagdad", the nice mixture of speed and heaviness, including even a short blast-beat section: "Burned Alive", the nod to the 80's American power metal scene "Never Surrender". At least half of the songs carry the intense spirit of the opener, but fillers, like the modern-sounding "Route 666", or the rock-ish "She Just Wants To Get Laid", could be spared for the future.

Smell the Saw Full-length, 2004

CHAINSAW KILLER (COLOMBIA)

Based on the "Metal Addicted" demo, these guys pull out black/thrash metal similar to the Italians Vexed, or the Swedes Suicidal Winds: fast and intense, with occasional blast beats. The singer uses the black-ish rasp most of the time, but quite often he tries to scream in a Rob Halford (remember "Painkiller"), or John Cyriis fashion, which doesn't quite suit the music, but is a cool touch, especially on the more speed/thrash-based number "Metal Addicted".

Alcoholic Rehearsal Demo, 2004
Under Metal Assault Split,2005
Blasphemy, Mayhem, War Split, 2005
Metal Addicted Demo, 2005
Nemesis Of Jesus Christ EP, 2006

CHAINSNAP (HOLLAND)

This album owes a lot to mid-period Machine Head (the albums after "The More Things Change..."); this is heavy, groovy, but also quite generic music which very seldom speeds up to up-tempo, and for that reason could be tiring to some, as there is no variety at all. The hardcore vocals are sometimes spiced with some clean ones, and some samples from the TV (or the radio).

Hollow Full-length, 2004

CHAKAL (BRAZIL)

One of the veterans on the Brazilian metal scene. Their first two works were slightly heavy handed, but had a genuine, dark sound, with distinctive gruff vocals. With a more polished approach and better production qualities, their third one really struck a note, and was a major improvement over the more undeveloped sound on the first two: direct, headbanging thrash at its finest. Then the band split up, to reform 12 years later. "Deadland" was an awful modern groove album, with elements from all other genres but not thrash. However, Chakal still held surprises for their fans releasing very soon after the excellent "Demonking"- a direct return to the heydays of thrash metal, and their finest hour so far.

Abominable Anno Domini Full-length, 1987
Living With The Pigs EP, 1988
The Man Is His Own Jackal Full-length, 1990
Death Is A Lonely Business Full-length, 1991
Deadland Full-length, 2003
Demon King Full-length, 2004

CHANGE OVER (GERMANY)

Based on the 3-song "No Turning Back" demo, this is an uneven mix of heavy, mid-tempo thrash of the classic school (2 songs) with some doomy overtones, and more aggressive death metal ("No Turning Back"). The vocals are strictly in the death metal-camp, though, being low, effective growls.

The Hate Anthem Single, 2004
Destiny of Mankind Demo, 2006
No Turning Back Demo, 2007

CHANNEL ZERO (BELGIUM)

This band started very strongly with their debut, summarizing all that was good from the 80's thrash scene. The style is probably closer to the Bay Area acts; the opener "No Light" thrashes without mercy, fast and aggressive, and this is the predominant tone of the album. The guitar work is really good, with very sharp riffs, but without any technical pretensions. "Succeed Or Bleed" and "Inspiration to Violence" are detours into a heavier, slower song-writing, the latter coming with some cool stylish riffage. "Animation" introduces an angrier sound, which would later find its complete realisation on the band's later works, where the guys embraced the modern thrash idea, and their later efforts show no signs of any will to be something more than mere Pantera-clones.

Channel Zero Full-length, 1992
Stigmatized for life Full-length, 1993
Unsafe Full-length, 1994
Help EP, 1995
Heroin EP, 1995
Suck My Energy EP, 1995
Fool's Parade EP, 1996
Black Fuel Full-length, 1996

CHAOS CREATION (FINLAND)

This band features two ex-members from another young Finnish band- Nailgunner. Chaos Creation are more deeply involved with classic thrash and are a bit heavier, and their tracks are longer, more elaborate. The style on all demos is consistently good, and I believe it's just a matter of time before the guys sign an album deal.

Dedication for Annihilation Demo, 2005
Psyched-Out Manipulation Demo, 2006
Homicidal Party Time Demo, 2007

CHAOS HORDE (USA)

Very good intense speed/thrash in the best tradition of Hirax and early Flotsam & Jetsam: fast tempo, maybe with a slight hardcore edge on the shorter tracks: "When Will It Change". "Mad Monk" is truly a fine piece of furious speed/thrash which would stand proud even on the later works of Destruction and Kreator.

Demo Demo, 1986

CHAOS LEGIONS (FRANCE)

A powerful classic mixture of thrash and death metal, which offers some more up-tempo numbers ("Genocide"), but the majority of the tracks are of the mid-paced, heavy variety, sounding like more thrashy versions of Bolt Thrower ("Paranoia" sounds as though directly taken from "The IVth Crusade", or "...For Victory"). The rhythm guitar is really impressive and, like in the Bolt Thrower case again, overshadows the leads, although the ones on "Soldiers of Death" are really worth checking out.

Hanging Full-length, 2008

CHAOS OPERA (FINLAND)

This is a one-man project (presumably a guy under the nickname Chaos) from Finland. The music is a conglomerate of several styles- thrash, power, heavy metal, black, with a strong symphonic and classical presence. The style could be compared to the Kovenant's "Nexus Polaris", but with a certain number of power/thrash metal riffs. Their last offering- "Illusion", steps down, with no traces of thrash, concentrating on the more operatic, keyboard-driven side of their music, with some more aggressive black metal blast beats thrown in ("Chaos").

Before the Storm Full-length, 2001
Endless Battle Full-length, 2001
Mystery Full-length, 2001
Best Of Chaos Opera Full-length, 2002
Illusion Full-length, 2002

CHAOS REMNANT (FINLAND)

A 3-song demo of good classic and modern thrash metal mixed together, with deep death metal-lish vocals "interrupted" by some hysterical black-ish shouts; the tempo is fast with cool sharp riffs.

Human Hammer Demo, 2005

CHAOSFEAR (BRAZIL)

This is a blend of old-school death and thrash metal; a stylish effort with some nice technical licks. The sound is similar to No Return's "Contamination Rises", mixed with certain Slayer-influences (their various periods), and a doze of the modern sound, but heavier and with more shouted-out vocals. Once the mighty crushing opener "Hard Time For The Wrong Man" hits you, you know this can not be an ordinary stuff. "Incongruous Possession" keeps on thrashing relentlessly, and it's with "One Step Behind Anger" when some more intriguing guitar riffs come up, although the fast tempo remains intact. "Denied Rights" slightly betrays the classic sound of the album, adding some groove, and slowing down, and "Minds Temptation" follows a similar pattern, but the inclusion of some more stylish play ala Meshuggah, puts it on the right track. "Detestation Inc." is a good closer, the most aggressive number, staying closer to death metal, graced by some really intense riffage.

One Step Behind Anger Full-length, 2007

CHAOSPHERE (POLAND)

This is not a Meshuggah-clone like you might be inclined to think reading the band name; this is death/thrash of the old school. The difference is that here the music lacks the control typical for this genre, and is a bit chaotic with some modern death riffs involved, too. It reminds me of Possessed and Entombed mixed together; not bad.

Reign In Chaos Full-length, 2007

CHAOSWAVE (ITALY)

A very talented young band who play very potent atmospheric progressive power/thrash metal, reminiscent of Nevermore and Communic, with a male and female singer who form a nice cross seldom achieved before, and make the songs quite memorable. At times the music acquires some modern, groovy tendencies and alternative shades, but this makes the band sound even more interesting. The guitars are very sharp and crushing, making even the attempts at more melodic play quite aggressive. The tempo is mostly mid-paced, but the guys (and a girl) are not strangers to some more straight thrashing (parts from "Indifferent", "Mirror" and elsewhere), but they hardly need that, since the hard riffs will satisfy anyone. Maybe the leads should be given more space in the future, as they are really good, both melodic and technical, here often stifled by the crushing riffage. Certainly these guys (and a girl) have a lot of other great things to offer.
The 2007 demo provides 4 tracks in the same intriguing style; maybe the quiet, melodic interludes are more frequent here (they are featured on every song), but they very nicely contrast on the very sharp riffage, which thrashes both with intensity and technicality: check out the great more complex "March", the more direct thrashy delight "Picture", and especially the last song "Rise", which speeds up quite a bit, ending this very promising rehearsal for the next full-length (hopefuly!) in a magnificent aggressive manner.

The White Noise Within Full-length, 2006
Demo Demo, 2007

CHAPSTIK (USA)

Stoner/doom with a more thrashy edge is what these guys offer on their albums; if you can imagine a thrashy version of Spirit Caravan... As is typical for such slightly awkward mixtures, the doom fans will find more to like here.

Whiskey Time Full-length, 1998
Barnburner Full-length, 2006

CHARGED (FINLAND)

A less known Finnish thrash metal band; the style is not too far from Rumble Militia and Toxic Shock's debut- very good energetic stuff, direct, with sharp riffs and a sparce use of leads. The guys play fast and tight, but their music is infused with some cool melodic hooks, more obvious on the slower material (Firedancer", "Metal Eyes"), which comes with a certain crossover touch. Still their faster side is the better one, and tracks like "Inqusition" and "Surgery" are major explosive headbangers. The last song "Wakan Tanka" steps down, being more melodic, with some clumsy power/thrash riffs.

In Vice Full-length, 1989

CHARLEY'S WAR (USA)

Thrash/crossover, so similar to D.R.I. that there is nothing more to add; energetic riffs and up-tempo aplenty, spiced up with some slower, more melodic numbers ("Your Path", "Think About Your Life").

Time to Survive Full-Length, 1991

CHARNEL HOUSE (USA)

Based on the demo, this band try to combine thrash, death metal and hardcore, sticking to the classic 80's sound. When the guys keep it short ("No Reason to Die"), they come up with quite potent aggressive sound; the longer tracks are less appealing, mixing some ultra fast parts with some better, more technical moments.

Haunted Heaven Demo, 1995
Sample of Murder EP, 2000

CHARNEL LEGION (USA)

A cool demo of speed/thrash along the lines of Sentinel Beast and Exorcist, but these guys are not strangers to some heavier sections, and generally their music is more hard-hitting, smelling even Agent Steel on the best, and fastest, moments ("War Crimes", "Scared to Death").

Return to Instinct Demo, 1989

CHECKER PATROL (GERMANY/NORWAY)

This is interesting: members of the Norwegian black metallers Mayhem join forces with the German thrashers Assassin. So what is the final result of this collaboration? Very raw, occasionally brutal thrash with very short tracks (1-2 min) and some very twisted vocals courtesy of Euronymous (R.I.P.) who introduces each song shouting out the title. Apparently the guys have tried to rival the Hellhammer demo in terms of brutality and chaos, but the sound is even worse, and creates the impression that this is only Euronymous who is involved in the recordings: with simple and basic music like that it's hard to believe that there are five people taking part; could have been an influence on the grind-core scene which sprung up very soon after that.

Demo Demo, 1986

CHEMICAL ANNIHILATION (USA)

This 3-song demo offers classic thrash reminiscent of Possessed and Slaughter: "Baptism Of Fire" is a heavy up-tempo number; "Resurrection" is slower, and heavier, and "Why Die?" is an aggressive thrash/proto-death track, which again slows down near the end.

Why Die? Demo, 1988

CHEMICAL BREATH (BELGIUM)

Probably the finest Belgian thrash metal band ever. The band started with this demo, which could have been the most brutal recording in the Belgian metal underground at those times; it's an aggressive, fast blend of thrash and death, well more death metal-based. "Fatal Exposure" is explosive death/thrash (more death than thrash again), sounding like a direct follow-up to Pestilence's "Testimony Of The Ancients"- a blistering display of impeccable musicianship, graced by some of the finest technical riffs ever played. The aggression from the demo has been reduced for the sake of the complex guitar arrangements, some of which will make your jaw drop- literally! The surreal, beautiful leads are not given too much space, as the focus is on smashing, very stylish riffage.
After such a great first release, it was interesting to see how the band would carry on, and they did not disappoint: "Values" moves more into thrash metal territory, but the amazing technical guitar sound stays untouched; this is another compulsory work, which excels in every department; the leads are longer, and the song-structures are more complex, which has happened for the sake of the speed and aggression, but this is hardly a complaint. Whether the guys would be able to release another album of the same quality, remained a mystery, as they split up after this one; seldom can a band achieve two consecutive creative peaks within such a short span of time.

Brutal Violation Demo, 1990
Fatal Exposure Full-length, 1992
Values Full-length, 1994

CHEMICAL WASTE (USA)

Cool, fast-paced thrash/crossover recalling Cryptic Slaughter, with short aggressive numbers, maybe a bit more melodic and diverse.

Life's a Bitch Demo, 1987

CHEMIKILL (USA)

Based on the first two demos, this is very good aggressive thrash which is not too far from the Sacred Reich's debut, or Torture's "Storm Alert". The band often come up with crushing, mid-paced riffage, which sounds even more compelling than the faster sections, which follow immediately: "Consumed By Hate", "Death Watch". Certainly, balls of fury, like "Morbid Reactions" and "Relentless Horror" are hard to be ignored, let alone the fine thrash opus "Brutally Slaughtered", which thrashes with full force throughout its almost 10-min.

Impending Doom Demo, 1989
Consumed By Hate Demo, 1990
Of Mind and Body Demo, 1992

CHEMIKILLER (USA)

Simplistic old school thrash influenced by Venom, early Celtic Frost and Motorhead with a playful, rock'n roll spirit.

Chemikiller Full-length, 2002
Evilspeak Full-length, 2006

CHILD O'FLAMES (BRAZIL)

Thrash/death, mostly mid-paced and well executed, mixing old and new school riffage; cool stuff, if you manage to ignore the detrimental tendency to use these annoying clean vocals, which here really try to be something more than just an extra.

Child O'Flames EP, 2007

CHIRURGIA (CZECH)

Based on "The Last Door", this is first rate progressive/technical thrash/death metal which sounds like a more aggressive version of Mekong Delta and Target. The music pays its fair share to death metal with more brutal sections, but they are not too many. The guys are not fans of the long, sprawling compositions and keep their sound tight, resulting in all the songs being excellent technical thrashers with great riffs and tempo changes. For fans of the aforementioned style this band is a must have.

The Last Door Full-length, 1993
Deep Silence Full-length, 2002

CHOKEHOLD (UK)

Moderh thrash metal in the vein of the Swedes Inrage and Pantera.

Legion EP, 2005
The Killing has Begun Full-length, 2006

CHOPPER (URUGUAY)

Modern thrash reminiscent of a couple of Argentinian bands from around the same time- Malon, Nepal, Horcas.

Sangrando Full-length, 1998
Chopper Full-length, 2000

CHOR CHOREA (GERMANY)

This band comprises the same musicians who also played in Defcon at the same time (apparently the guys wanted to keep themselves as busy as possible, as they had another project going along with those two: Charon (not reviewed on this site)). Based on "Triumph", the music here also has a certain technical edge, more obvious than on the Defcon efforts, but is heavier and more complex, and is much closer to Depressive Age, for example. The vocals will also remind you of that band quite a lot, and overall the whole demo sounds like these songs could have been leftovers from "The First Depression". The longest track: "BTR8", takes a more avantgarde approach, but is truly an impressive achievement. These guys were a fine addition to the progressive/technical thrash metal wave which started at around the same time in Germany, although they udeservedly remained one of its least known representatives. Their other demos, as well as their full-length debut, are highly sought out by collectors. Now is the time for you to make some money, folks!

Triumph Demo, 1992
Mental Maze Demo, 1993
Inner Stage Demo, 1994
Experience Full-length, 1995

CHRONIC DEATH (BELGIUM)

These guys are obviously influenced by the thrash/death metal wave which started a few years earlier in their neighbours: France. Apart from the straight thrash/death bashing, one could aslo hear numerous interesting technical play, recalling Pestilence's "Testimony of the Ancients" (they haven't forgotten that they also have neighbours from the North), and some nice oriental melodies ("Chronic Death"). The tempo is fast, but never too brutal, and the songs are longer, quite atmospheric and moderately complex, with plenty of high quality musicianship displayed inside. Later members of this band formed one of the most avantgrade metal acts ever: Renaissance.

Perennial Perspective Demo, 1991

CHRONIC PLAGUE (USA)

Thrash/crossover , quite fast, with some good lead guitar work, reminding of the early Nuclear Assault efforts, maybe a bit more intense.

Demo Demo, 1986

CHRONICAL DIARRHOEA (GERMANY)

A minor thrash/hardcore band.

Royal Diarrhoea EP, 1987
Abstract Carnage EP, 1988
Salomo Says... Full-length, 1988
The Last Judgement Full-length, 1990

CHRONICAL DISTURBANCE (CANADA)

Another very good technical thrash metal band from Canada. The band's music is more energetic than the average Canadian technical thrash band, and reminds me of Erosion's "Mortal Agony" and Midas Touch's "Presage of Disaster", mixed with Slayer on the more intense parts. There are times when the band excel in technicality, like on the great 8-min instrumental "Starless", which sounds surprisingly restrained, compared to the other much more aggressive numbers. "Foggy Creek" is another highlight, a distant echo of Metallica's "The Call of Chtullu", mostly because of its unfinished character, sounding as a draft for something really mighty, and is by no means less impressive. Fans of the more extreme side of thrash metal will also find a lot to like here.

Foggy Creek Full-length, 1990

CHRONOS (CHILE)

This is mostly traditional metal in the Riot, Iron Maiden and Raven-vein with some hints of thrash ("Apologia").

Medieval Tales Demo, 1986

CHRYSEIS (FRANCE)

Engaging and quite original progressive thrash metal which base is heavy, stomping riffage not too far from Celtic Frost (think "Vanity Nemesis"), Tom G. Warrior's side project Apollyon Sun, and the great American one-album-wonder Aftermath. This base is mixed with electronic samples and synthesizers which create a unique cosmic atmosphere, quite similar to the very original Australian band Alchemist. The music varies: at times it doesn't change, and creates an almost hypnotic effect, at times it brings about some awesome alternating tempos. The pace is never fast, but mid-paced and the riffs are quite crushing. The vocals are low semi-death metal growls (again along the lines of Alchemist), but suit very well the surreal atmosphere created by the music. The atmospheric, electronic sections are perfectly embedded in the sound, and there is hardly a moment when they sound awkward, or overused. This is a very interesting take on thrash, which doesn't have a big headbanging potential, but if you listen with care, you will not be disappointed.

Presence of the Past Full-length, 2007

CHRYSOS CALVA (HUNGARY)

Heavy, low-tuned thrash with some gothic/death parts. The music slows down at times, going into doom territory and the overall sound is not very aggressive, staying on the more melodic side.

E világi györtelmek Demo, 2002
Keresem A Fényt Demo, 2003

CIEMENTIFICIO (ITALY)

The band's style hesitates between the classic and the modern sound, and manages to thrash with energy on a few times ("Zom-B", "Rosso Sangue Bianco Ossa"). Tracks of the groovy, playful type are not very convincing: "La Luce Blu Sotto", as well as the pointless 9-min hard'n heavy joy "Vacche, Zopito, Cemento"; neither are the hardcore vocals, but still this album would have its, albeit not very lasting, appeal to the thrash metal fan.

Rosso Sangue Bianco Ossa Full-length, 2007

CIRCLE OF FORCE (USA)

Based on the demo, this band offer cool classic, Bay Area-influenced thrash, spiced with some faster death metal parts, recalling the French No Return, or the Germans Cockroach (their last album, in particular).

Circle Of Force - Coming Back EP, 1992
War, Hate, Death Demo, 2007

CIRCLE OF TYRANTS (GERMANY)

Based on "The Art Of Intensity" demo, this is melodic power/thrash, which has its cool thrashy moments ("Daemonicus X"), but is saturated with many balladic and calmer moments, and some tracks are straight nods to the hard'n heavy genre ("Empty Eyes"). It would have been better if those calmer, quiet moments were fewer. Those of you who expect some heavy, Celtic frost-influenced sound (obviously hopes raised by the band's name) will have to look elsewhere.

The Art Of Intensity Demo, 2004
Deamocracy Demo, 2006

CIROZA (BULGARIA)

Primitive thrash with elements of hardcore rooted in the 80's scene, with some suprisingly nice touches: the semi-ballad "Izgubeni Sledi" and the atmospheric instrumental "Sam V Mraka".

Razbivane EP, 2005
Don't Try To Hide EP, 2006

CITY OF GOD (UK)

This is the new band of Simon Gordon- the man who sang on the last Xentrix album and later on Thousand Points Of Hate. The music here is more melodic and a tad less thrashy, but again with a considerable doze of groove and some really cool vocal styles, all performed by Gordon.

A New Spiritual Mountain Full-length, 2005

CIVAIS (USA)

Hectic, choppy, technical thrash which sounds quite aggressive most of the time, without being fast. References to bands like Terrahsphere and Dead & Bloated should definitely be made, but these guys have appeared on the scene a few years earlier, and could have been an influence on both bands. Civais' music is more vicious, albeit not as technical (at least compared to Terrahsphere). These three tracks here are a perfect example of the stop-and-go technique: the going rhythm stops all of a sudden, only to be continued by another one a second later. The music is far from disjointed, though; on the contrary- it perfectly makes sense; you can even headbang on the more straight-forward sections. The riffs are heavy, crushing, and although there is not much technical show-off or intricate leads throughout, the sudden and interesting tempo changes will surely keep anyone on the alert.

Demo Demo, 1988

CIVIL DEFIANCE (USA)

Based on the EP: 4 songs out of which one should definitely grab your attention: "Swarm", which is a very original mix of some very fast, almost death metal-like riffage and stylish technical guitars ala Voivod. Unfortunately the rest is melodic, balladic crossover with no traces of the original music of the aforementioned song. The band's full-length (which also boasts the presence of Dave Lombardo) releases have moved towards a very avantgarde and not very easy to swallow fusion of classical music, industrial and more aggressive metal genres (death, grind core, but not really thrash), and can be downloaded from the band's website, as well as the EP.

Abstract Reaction EP, 1991
The Fishers For Souls Full-length, 1996
Circus Of Fear Full-length, 1999

CIVIL DISOBEDIENCE (USA)

Cool crossover/thrash in the D.R.I.-vein, a bit more aggressive. Apart from the short, direct tracks, there are some longer ones, which are full-blooded intense thrashers ("What A World", No Forever"), including the shorter, but very effective speedy, slightly chaotic piece "Fighting Stop".

1990 Demo, 1990

CLAUSTROFOBIA (BRAZIL)

Based on "Fulminant", this band try to bring back the aggressive thrash sound of early Sepultura (up to the "Beneath The Remains" album), but they mix it with some brutal Floridian death metal, and in their case this considerably diminishes the music's impact.

Claustrofobia Full-length, 2000
Thrasher Full-length, 2002
Fulminant Full-length, 2005

CLAUSTROPHOBIA (ITALY)

Angry crushing thrash, not deprived of some classic insertions, the way Exhorder's "Slaughter in the Vatican" used to do it ("Choice"), with moments from Sepultura's mid-period ("mostly "Chaos AD"). Seldom does the sound descend to ordinary groove ("Leviathan"), but one can't help, but mosh around on the very good cover of Sepultura's "Territory" at the end.

2 Thousand Hate Demo, 2008

CLINIC (RUSSIA)

A very obscure, but very cool thrash metal band with some very funny (and very realistic) lyrics; features some nice solo work, too. The guys play with inspiration and energy, and despite the buzzy guitar sound and the not very good production quality, the music packs a punch, at times picking almost Slayer-esque aggression, at times softening to power/speed, accompanied by some nice melodic leads, which are quite striking on the more simplistic and ordinary delivery, and are unfortunately too short.
"Wonderland" is ordinary melodic heavy rock, and has no ties to thrash; some tracks are just narratives (or imaginary) of the guys' sexual, or drinking exploits.

The Lottery Ticket Full-Length, 1989
Wonderland Full-length, 1992

CLOWN ALLEY (USA)

Cool crossover/thrash, with sharp riffs and energetic tempos, close to early Nuclear Assault, and longer for the style songs, which nicely mix with the shorter, direct thrash/hardcore-ish bombs. Quite often the music is pure headbanging thrash ("In The Cartoon", "Pet Of A Pig"), supported by very good lead guitar, something not very typical for the style. "On The Way Up" is the odd slow, melodic track, which is off context, but is not so bad. "The Grey Men" is the highlight: a nice combination of very slow sections, suddenly interrupted by smashing speedy riffs. Near the end the band soften the course, and come up with 3 laid-back rock-ish numbers, with the exception of the aggressive thrashy mid-section of the closer "Prey". This is probably not the best way to end such an album, but before that the thrash fan has alreay taken his necessary portion of headbanging stuff.

Circus Of Chaos Full-length, 1986

COBOLT 60 (NORWAY)

This band is a side-project for two members of the death metallers Blood Red Throne. What we have here is black-ish thrash, atmospheric and mid-tempo on half of the songs, and brutal, with numerous hyper-blasts on the other half. It's not very well mixed, and the final result will not be very satisfactory for the average thrash metal fan.

Meat Hook Ballet Full-length, 2002

COCKROACH (GERMANY)

One of the bands who brought the old school thrash sound back in Germany. The band follow on the steps of their colleagues from the Bay Area scene. "No Compromise" begins in a more modern, groovy fashion with the opening "Virtual Reality", which is quite misleading, as the very next song ("Vampire In Black") smashes with nice, old school riffs. The guitar work is quite stylish, bordering on semi-technical thrash on some tracks. All-out speed is not what one will find here; the band prefer to hit with slower, meaty guitars and mostly mid-paced heavy tracks, suddenly intercepted by faster, but not very long breaks; well done, but the headbangers might lose their patience while waiting for those speedy passages.
"Temple Of Mystery" is a masterpiece: state-of-the-art thrash, which recalls Metallica at their best, among other heroes from the 80's. The compositions are longer, and the fast sections are much more frequent. The guitars now have a more overt technical edge, and this time we have some excellent technical opuses: "Total Gym", "Underworld", graced by nice leads as well. "Temple of Mystery" is a slow, doomy, atmospheric song- the only one of its kind here. "Fallen Angel" is a brilliant speedy thrasher, alternating intense thrashy sections with galloping ones- the best song on the album, which finishes with the larger-than-life, 11-min "Personal War": an ambitious, progressive thrash piece, crossing over quite a few tempo changes and moods, also featuring some really cool semi-clean, semi-operatic vocals.
It was interesting to see how the music of these guys would develop after such a strong release, but the follow-up is much inferior: "The Observer" is clearly a disappointment, with its more modern sound and adherence to some death metal blast beats. The guys have decided to sound more aggressive and "updated", and consequently ruined their very potent sound.

No Compromise Full-length, 1999
Temple of Mystery Full-length, 2003
The Observer Full-length, 2006

COCOBAT (JAPAN)

Based on "Fire Ant Moving Co.": Cocobat are not too far from the style of other Japanese bands like Sex Machineguns, Gargoyle and Shellshock which means that you'll get a very diverse bag; apart from the fast thrashers there are also songs which stretch into all possible directions: doom, heavy metal, industrial, even alternative. Fortunately the album is 14-songs long which means that there will be at least half a dozen headbangers to keep the thrash metal fan happy.
"Struggle for Aphrodite" is typical 90's groovy post-thrash, soft, edgeless and derivative.

Cocobat Crunch Full-length, 1992
Footprints in the Sky EP, 1993
Struggle for Aphrodite Full-length, 1993
Posi-Traction Full-length, 1995
Grasshopper (Promo-Tape) EP, 1996
Return of the Grasshopper Full-length, 1996
Tsukiookami EP, 1998
I Versus I Full-length, 2000
Arana EP, 2000
Ghost Tree Giant Full-length, 2001
Fire Ant Moving Co. Full-length, 2004
12 Steps EP, 2005

CODE RED (JAPAN)

Having taken their name from one of the more recent Sodom albums, the guys won't keep you guessing what the order of the day would be: this is heads-down Germanic thrash, which has something in common with those German heroes, but most of the time it thrashes with speed the way their compatriots from Kings' Evil, or Fastkill, used to do it (the guys are not as fast as Fastkill, but often are not too far behind), with a pinch of early Destruction and Necronomicon. "Buried In The Battlefield" is an awesome start for the album: speed/thrash at its best, with a short slower sinister break in the middle, which comes with a nice Oriental tune. The fast pace dominates throughout, producing some of the finest headbangers around ("Hunger Island", "Destroy"), ably supported by good, Schmier-like vocals, maybe a bit lower. The band are not strangers to some more moderate, but equally as enjoyable pieces: the energetic up-tempo "Patriot", the instrumental "August 6 1945". Some bigger, Slayer-like aggression also springs up occasionally ( the brutal, fast piece of thrash "Toward The South").

Buried In The Battlefield EP, 2004
Wolves Of Warfield Full-length, 2007

CODEON (FINLAND)

Dark Tranquillity/In Flames meets modern thrash metal. "Source" is a cool debut, which offers cool guitar work, which excels in the lead department, and when it stays closer to thrash, it provides some really fine pieces ("Humanity Inspection", "Shattermind"), which are of the mid-paced, semi-technical type, and one really notable exercise in technical thrash ("Destination Decoder"). The rest is you run-of-the-mill modern thrash/death of the Swedish school.

On My Side EP, 2005
Source Full-length, 2008

COFFIN BIRTH (CANADA)

This is simplistic, old school black/thrash with a joyful, almost punk-ish delivery; think more cheerful Venom, or more vicious Motorhead or Tank. There are no blast beats and speed here, this is mostly mid-paced stuff, well played, albeit a bit one-dimensional.

The Miracle Of Death Full-length, 2007

COLD STEEL (USA)

A cool band sounding like a more melodic Exodus, mixed with some heavy, angry riffage ala Pantera and Exhorder. There are some more diverse, offbeat moments similar to what Death Angel tried to do on "Act III", and these could be, depending on the taste, the highlight of their style, or a total pullback.

Bracing the Fall EP, 1992
Freakboy Full-length, 1992

COLD WAR SURVIVOR (USA)

Hardcore meets groovy, modern thrash metal.

Cold War Survivor Full-length, 2004
Bloodworth Full-length, 2007

COLDE (TURKEY)

Modern heavy/thrash, not really aggressive, with numerous tender, romantic sections, but containing at least one cool thrashy piece: "A Monday Morning - Part III Order", with a nice gothic atmposhere. The overall style is close to the works of the Finnish acts To Die For and late period Sentenced, with a pinch of thrash. For fans of the more melodic side of thrash, this demo will surely has its appeal.

Of Honour Demo, 2004

COLLIDE (LATVIA)

A 3-song demo (the one from 2006) of heavy, mid-paced classic thrash close to Slayer's late 80's period; quite good stuff, although the songs are all in the same vein and kind of merge together.

Demo Demo, 2004
Demo Demo, 2006

COMA (USA)

The line-up includes Brett Fugate- the drummer who later joined the doomsters Church of Misery. Here he also handles the vocals, and his Tom G. Warrior-like grunts are one of the highlights of the demo. The music is quite effective, too: heavy, mid-paced, a bit chaotic and technical, and reminds me of Forced Entry, or Infernal Majesty's slower and more twisted songs. Heavy smashing riffs will attack you all the time, and the ever changing rhythm will keep you guessing what comes next. The complexity is big, but the guys keep it short with the longest track barely going over 4-min. There are some occasional passages where one could catch some modern, Exhorder-like riffs; a sign that this band would have found a place into many 90's fans' lists, and well deservedly so.

Cryogenic Torments Demo, 1992

COMATOSE (USA)

Good thrash of the classic mould, with some slight modern tendencies. "Defiled by Madness" begins in an open intense manner, thrashing with great sharp riffs, followed by the even better "Bottled Freedom", which slows down a bit, but increases the heaviness of the guitars. "Inner Conflict" is an aggressive Slayer-esque number, adding a genuine technical edge to the guitars, after which comes another more quiet, shorter track ("Deniably So (The Edited Truth)"), before "From Green to Black" finishes you off, with another wall of aggression.

Deep Sleep EP, 1995

COMBAT (USA)

This is the same band known previously as Napalm, under which name they released two albums in the late 80's-early 90's. Based on "Ruination", this is modern thrash with a somewhat mechanical feel, and a certain hardcore edge (also in the vocals), at times resembling Meshuggah, at times Obliveon's later period, or the Americans Baghead, at times something which is hard to describe (maybe some veterans from the thrash/crossover scene of the 80's). There are some interesting moments here; well, "interesting" is a bit relative, since they might sound too abstract to the more conventional fans, where the riffs sound too "robotic" and dry, and to describe the pace here would be quite difficult, as the songs twist and turn into the most unexpected directions in a way which even the mighty Voivod might find hard to match. This is not an immediate listen, and one might get the feeling that somewhere there is no coherence at all, and each of the guys is doing his owh thing with little regard to the others, but if you spend more time with it, and if you have an ear for thrash metal not as usual, this album might turn into a winner.

Live Battle at L'amour EP, 2002
2005 Demo Demo, 2005
Ruination Full-length, 2007

COMMON ENEMY (USA)

Fast-paced, occasionally aggressive, but also jolly thrash/crossover coming as a cool mix of The Accused and Spazztic Blurr. The songs are short outbursts, at least half of them barely passing the 1-min range.

Late Night Skate Full_length, 2004
Thrashing Under the Influence Full-Length, 2007

COMMUNIC (NORWAY)

Communic were formed by the singer Oddleif Stensland after his exit from Scariot. The style here is not very similar to the works of Scariot; it actually resembles quite a lot the one displayed on the first band he founded after the departure from Scariot: Ingermanland (Communic is actually the continuation of this act in every aspect- why the name change? No idea). Both albums are very well executed mixtures of power, thrash, progressive and even doom metal, and the overall sound comes quite close to Nevermore, especially on the debut. Stensland's singing style shows a clear Warrel Dane influence, which was not that well expressed during his time with Scariot. The songs are quite long affairs, with the aforementioned styles present on almost every track, making them quite diverse, but very interesting to listen to. There are moments when the guitars slow down and doom metal seems to take over, but there are others where thrashy riffs attack you from all sides and easily make your day, although they are not of the very aggressive or intense variety. On the sophomore release thrash metal is not that well present, but the song-writing remains on a very high level.
"Payment Of Existence" is another very good work, albeit less intense, mixing the aforementioned genres, although again thrash is only slightly hinted at. The sound is less hard-hitting, and the guys have concentrated on the melody, increasing the balladic passages. The songs are traditionally long, with the exception of the excellent "Through The Labyrinth Of Year", which is the heaviest composition, boasting some superb heavy thrashy riffs. "Raven´s Cry" is a very cool doomy track, with a nice thrashy section near the end. Another place where the thrash fan has to concentrate more, is "Unpredictables Of Life", which picks some more intensity as well. The closer "Stone Carved Eyes" is a larger-than-life progressive opus, where some more aggressive guitars can be heard, along with all other staples from the band's style.

Conspiracy In Mind Full-Length, 2005
Waves Of Visual Decay Full-Length, 2006
Payment Of Existence Full-length, 2008

COMPLEX 7 (GERMANY)

A great progressive power/thrash metal band. Their music is quite complex and elaborate, if we exclude the ballads (one on each album) which are quite good by the way. The guys rely on heavy rhythm, complex song structures, without much speed involved, and superb technical riffs which will remind you of early Psychotic Waltz (the first two albums), Zero Hour, and even Mekong Delta. The first effort contains the heavier, the slightly more immediate, and thrashier material, whereas the sophomore release makes up for the partially lost aggression with some great technical guitar work.

Water Full-length, 2001
Process Full-length, 2003

CONCRETE COFFIN (USA)

This band hail from San Francisco- the very heart of the legendary Bay Area scene which has given us numerous high quality thrash metal bands throughout the years. These guys, however, are yet to reach this high level; their music is not exactly Bay Area-influenced: it has more in common with early Megadeth, and Slayer in the more aggressive sections, which are not that many. There is some cool lead guitar work at present, and it considerably overshadows the rest. Some good riffs could be heard, too, but the guys seem as though they are not brave enough to step the pedal more aggressively and nail some more intense thrashers down. Surely they keep those for the full-length...

Demo Demo, 2003
Demo Demo, 2004

CONCRETE SLEEP (SWEDEN)

This is the same band known earlier as Formicide- a great ungerground thrash metal act. The music here is heavier with a certain doze of death metal and modern 90's influences, and not as good.

As I Fly Away Demo, 1992

CONCRETE SOX (UK)

Although often being described as a punk/hardcore band, this formation pull out some really cool thrash/crossover, at least on the first two albums, and definitely deserves to be put on this site's pages. The tracks are generally longer than the typical hardcore-ish outbursts (most of them: 3-3.5min long). The music picks respectable speed on quite a few moments, coming close to Cryptic Slaughter, DBC's debut, and early Prong. When the band slow down, their punk roots become more obvious ("Today's World", "Deviants"), but the music still packs a punch, although the guitars get more melodic and catchy, and these are the times when the guys show their bigger musical skills.

Your Turn Next Full-length, 1986
Whoops Sorry Vicar! Full-length, 1987
Sewerside Full-length, 1989
Lunched Out EP, 1990
No World Order Full-length, 1993
Silence Single, 1997
The New EP EP, 1999

CONDEMN (USA)

A 4-track demo of fairly good semi-technical thrash/death metal. The music is quite energetic, and actually stays closer to death metal most of the time, strongly recalling the Floridian scene. One could hear some stylish leads ala Chuck Schuldiner (R.I.P.), as well as twisted sections ala Morbid Angel. The last piece is a fine instrumental, and at times it may remind you of Death's "Cosmic Sea".

Demo Demo, 1992

CONDEMNATORY (SWEDEN)

The band offer modern thrash/death metal with a style not too far from At The Gates, but with a more thrashy edge.

Obsolete Pain Demo, 2005
The Corridor Demo, 2005
S.A.L.I.G.I.A Demo, 2006
Condemnatory Demo, 2007

CONDEMNED (AUSTRALIA)

Cool thrash/crossover with some very heavy moments, calling to mind early Razor.

Humanoid Or Biomechanoid Full-Length,1986

CONDEMNED (USA)

Excellent dark, brooding thrash, reminiscent of Rigor Mortis. The guitar work is more technical than that of the Rigors, and the sound is more abrasive, but the riffs are crushing and the bass work is brilliant. The demo is long so there is room for some more crossover-laced songs ("Grandpa", "Nice Fit"), too.

Seeking Power Demo, 1989

CONDUCTOR (SWEDEN)

This band are a pleasant deviation from the established formula of modern Swedish thrash/death metal, but opt for the classic mould with excellent results. Aggressive old school thrash akin to Devastation with touches of death metal, which is not a "stranger" to some heavy, stomping numbers ("Children of the Slaughterhouse"). Teddy Möller from F.K.U. helps the band with the production and also takes part as a back singer.

Ritual Carnage Demo, 2007

CONFIDENT (POLAND)

Based on the "Schizophrenia, War & Beer" demo, this is very aggressive thrash, mixed with death metal and hardcore. This is really brutal stuff, which might find some of its fans among the grind-core middles as well. Among the constant bashing some cool interesting riffs could still be heard: "Post Mortem".

Rehearsal Demo, 1988
Schizophrenia, War & Beer Demo, 1989
Who's Afraid of the Wind Demo, 1990

CONJURATION (USA)

Based on the "Reality Of Life" demo, this is aggressive thrash in the Slayer vein, with a shade of death metal. The music nicely combines fast sections with some stomping ones recalling Abomination, and even Celtic Frost. The guitars are very heavy, and it's a shame that the leads had not been given more space, as they are really good.

Reality Of Life Demo, 1990
Conjuration Single, 1990

CONQUEST (USA)

Based on "Rage", this band play good modern power/thrash metal slighlty influenced by Pantera, Machine Head and GZR, mostly mid-paced, with some industrial touches. "Rage" is an awesome opener with great up-tempo guitars, but is quite misleading, as the other tracks settle for a slower, crunchy, groovy sound. The monotonous atmosphere is broken only once, with the more aggressive "Under Your Skin" which thrashes admirably for about 3-min, before everything goes back to an even more groovy sound on the remaining songs.

Wicked Ways Full-length, 1993
The Killing Time EP, 1995
Rage Full-length, 1997
Damnation Full-length, 2001
No Boundaries Full-length, 2003
First Blood EP, 2005

CONSECRATOR (USA)

A fabulous debut. If your understanding of well-spent time is listening to Slayer or Devastation, then you should find this album immediately! Great aggressive thrash of the old school; fast, merciless music with excellent guitar work (check out the leads on "Vision of Ignored!"), and a fine 7-min slower, stomping closer: "Casted". The second half of the album is slower with crushing, but less intense, and more technical riffs.

Image of Deception Full-length, 2004

CONSPIRACY (SWEDEN)

Early Dissection meets modern thrash; those of you who were not happy with the last Dissection offering, should check this band out.

Reincarnated Full-length, 2006

CONSPIRACY (USA)

A 4-track demo of cool, technically-minded thrash; mid to up-tempo rhythms change all the time; the guitars have this genuine technical edge typical for acts like the Dutch Usurper or the Norwegians Equinox. The tracks are short, within the 3-min range, except for "Sea of Rage" which is quite an opus featuring slow, doomy riffs, acoustic passages and some really engaging technical ones. The singer is a disappointment, with his level, impasionate, semi-declamatory voice.

Lack of Society Demo, 1990

CONSPIRACY AD (ITALY)

A good death/thrash metal hybrid which offers a deviation from the pattern with some heavy stomping passages which fit nicely along the overall faster music.

The Day Of Burning Souls EP, 2000
Humanity=Destruction: The End is Near Full-length, 2004

CONSPIRACY OF SILENCE (BELGIUM)

A 4-song demo of heavy, doomy thrash which manages to sound quite classic most of the time; the guitars are sharp, but the guys' desire to be a part of some new waves (gothic metal, that is) is more than obvious, and the influence of early Paradise Lost is hard to be disguised ("Cathedral of Rain" and elsewhere). Still this is much more thrash than anything else, and tracks like "Flesh Burned Black" will make quite a few heads bang.

Faceless EP, 1994

CONSPIRATOR (GERMANY)

A side project for two members of Witchburner. Based on "Cannibal Of War", the style is not too far from the classic Germanic thrash of Witchburner- here it's spiced up with some more aggressive death metal guitar work here and there. There is a lot of singing about beer and drinking (the uplifting, hardcore-ish number "Down In Out Throat (Beer)"), but the music is heavier than the one offered by Tankard.

Cannibal Of War Full-length, 2001
Second Conspiracy Full-length, 2006

CONSTRUCDEAD (SWEDEN)

Sweden has produced so many modern thrash/death metal bands for the past 6-7 years that sometimes it's literally impossible to distinguish one band from another. Construcdead offer a slight twist from the trite formula, introducing some crunchy modern thrash ala Pantera and Machine Head on "The Grand Machinery", and some cleaner vocals resulting in a very good effort. The first two albums are modern thrash/death metal almost by-the-book.

Repent Full-length, 2002
Violadead Full-length, 2004
Wounded EP, 2005
The Grand Machinery Full-length, 2005

CONSUMED BU FURY (USA)

Modern groovy thrash which doesn't offer much more than what we all have heard before (Pantera, Machine Head and the likes); the difference comes from the guitar department where some surprisingly stylish riffs spring up here and there ("A Minute to Pray, A Second to Die"), which create the impression that maybe this album will take off towards better fields, but only for a while. Sometimes the aggression comes too much (blast beats on "Last Chance"), but maybe this is a good thing having in mind the slightly tedious, one-dimensional delivery.

Consumed by Fury Full-length, 2007

CONTEMPT (DENMARK)

Quite good melodic death/thrash metal (based on "Stormforce"), sounding like a thrashy version of the Swedish death metal acts at times, but offers well beyond that. There are moments recalling the Slayer late 80's period ("Burn"), epic-tinged death/thrashers ("Mephisto's Dance"), very cool power/speed/thrash mixtures ("When The Wells Dried Out"), pure speed metal killers ("Gailforce"). In the second half the songs become longer, a bit more complex, and the guitar work acquires a slight technical edge, for the sake of the more aggressive, death metal one. The speed also gets lost quite a bit, and some tracks might start dragging a bit ("Crimson Skies"). "The Angel Wore Black" is the leader there, featuring some really good intense riffs, speeding up as well.

Stormforce Full-length, 2002
Death From Below Full-length, 2004

CONTEMPT (USA)

On both demos the band offer solid thrash metal with thick, heavy sound and mid to up-tempo songs. They might remind you of Anthrax's period with Joe Belladonna, and Testament's first two albums.

Demo Demo, 1989
Demo Demo, 1992

CONTORSION (SWITZERLAND)

Retro thrash with a dark, doomy edge. "Witchhunt" starts in a cool headbanging fashion, but the other 3 tracks are heavier