The Thrash Metal Guide

Copyright (c) 2007 THE THRASH METAL GUIDE

0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

H.H.H. (SPAIN)

Fast, brutal thrash/crossover sounding like a mix between Wehrmacht's "Shark Attack" and Slayer's "Reign in Blood". The songs are very short, most of them in the 1-1.5min range. Of all the 13 tracks, there is only one which is mid-tempo ("Entrapas de la Patria"), and the album closer is a cool version of the old country classic "Country Roads" ("Cami Ral" is the name) sung in Spanish; the rest is aggressive and intense.

Homus Homini Lupus Full-Length, 1991

H.O.S.T.I.L.E. (UK)

A three song-demo of heavy, modern, slightly industrialized thrash with a few good technical moments, but also with some not very convincing decisions: there is a long acoustic intermission on "Mocking The Afflicted" which takes a huge part of the song. I personally see it as a dress rehearsal for something bigger to come very soon.

Hard 'N' Fast In A Minor EP, 2005

H2SO4 (SPAIN)

Despite the band's name, the music is not as acid; this is thrash/crossover done by the book, quite fast at times, but also forgettable.

Reality Show Full-length, 1994

HACHA (SPAIN)

Your average groovy heavy thrash, with one surprising raging thrashing closer: "Toma Ajo", which disappoints at the end, with the next groovy section.

Cortante EP, 2004

HADES (USA)

A standout technical speed/thrash metal band who released two very strong albums in the 80's before disappearing. Both efforts are long, with 12-15 tracks, so expect some fillers of the heavy/power metal type, but for the most part these tracks are blistering speed/thrash metal pieces, with very good guitar performance (the lead section is particularly good), and cool, albeit a bit undeveloped, vocals (mostly in the screaming department, which the guy adheres to too often). The band are not strangers to some slower, heavier songs ("Nightstalker" from "Resisting Success"), but these are the lesser ones, which don't hold water against the much more appealing faster material, some of which is simply striking: the awesome aggressive opener on "If at First You Don't Succeed...": "Opinionate", among others . "Masque Of The Red Death" is worth mentioning from the debut: a very good take on more elaborate, progressive song-writing, and although thrash is sparcely present, this song works fine as one of the early examples of more thought-out song-writing; "Aftermath Of Betrayal" from "If at First You Don't Succeed..." tries to follow the same pattern, but at least half of the time it spends in a slow, doomy tempo in the vein of early Black Sabbath, before it finds some time to thrash intensely near the end.
In the mid 90's they reminded of themselves with a compilation of old and unreleased tracks, which brought back the sound from their early efforts, albeit again with some less appealing fillers. Still, some songs are even better than the older stuff: the technical, stomping steam-roller "Rape Of Persephone", the short speed/thrash piece "The Other", graced by short, but very cool lead guitars.
However, it was 4 more years before their next full length album was released. "Saviorself" is a good return to form, with the band carrying on from where their last work has left off; the speed has actually been reduced, and most of the songs are in the mid-paced range, but filled with hard-hitting, sharp riffs and some intriguing sections: Oriental tunes, some technical breaks, etc. The next two are more disappointing, being even slower and less technical, with quite a few quiet, balladic moments, and a generally more mainstream approach, even borrowing heavily from modern thrash ("Pay the Price"), which starkly contrast on some pure hard rock numbers ala Warrant (USA) and Quiet Riot: "Hail to the Thief", with the occasional blast from the past: the aggressive opener "Bloast" on "Damnation".

Resisting Success Full-length, 1987
If at First You Don't Succeed... Full-length, 1988
Exist to Resist Full-length, 1995
$avior$elf Full-length, 1999
The Downside Full-length, 2000
DamNation Full-length, 2001

HADEZ (PERU)

Those of you who were not happy with the raw, amateurish sound of the early Brazilian thrash metal bands (Sarcofago, Sextrash, Vulcano, even early Sepultura), here is a band for you whose debut album brings you this sound with a much better musicianship and production. However, at the time when it was released, death metal was reigning supreme, and the music presented is a mixture of death, thrash and even black metal. The final result is very vicious and brutal, and if we add the twisted, ala Morbid Angel technical riffs, throw in some chaotic solos in the Kerry King-vein starting out of nowhere, and things really become too hard to imagine. If you think that Hellwitch are the masters of the aggression-meets-technicality-type cocktails, after listening to this "wonder" here, you might want to give it a second thought.
Despite the seven year-gap, "Even If You Die a Thousand Times" is not miles away sound-wise from its predecessor. The aggression and speed are here, but there is a fair number of slower, doom-laden songs, too; the technical guitar work is put on an even higher level, making the comparisons with Morbid Angel even more obvious. There are also some new techniques inserted: the black/epic thrasher "The Sin Made Flesh", and a second intro placed in the middle of the album.

Aquelarre Full-length, 1993
Even If You Die a Thousand Times Full-length, 2000

HAGGATH (CANADA)

Quite aggressive thrash for the time of release. If the sound quality was a bit better, it would have been a really cool slab of intense, fast-paced thrash, which sounds well more brutal than the Slayer and Hallows Eve works from the same year. The quitar sound is a bit hollow, and the singer has the tendency to scream like a banshee, which doesn't really suit the fairly aggressive music. "Eternal Bullshit" is probably the most melodic track, sounding more like speed metal. The last song- "I Bought Remington", is a bit than more-than-a-minute brutal thrashcore outburst. Although utterly obscure, this release has for quite awhile remained the most vicious and aggressive one to come out of Canada.

Evil Transitions Demo, 1985

HAJI'S KITCHEN (USA)

Very interesting, but not very heavy, modern thrash somewhat similar to late period Machine Head, with a couple of intriguing progressive and alternative passages.

Haji's Kitchen Full-Length,1995
Sucker Punch Full-Length,2001

HALLOWS EVE (USA)

A band who have won a cult status among thrash fans with their raw mixture of American power metal and some very vicious, aggressive thrash. The band have the tendency to mix a few styles on their albums which is not a bad thing at all, but in their case the final results are not always on the positive side. Their debut is their best work, fairly good, albeit a bit uneven power/speed/thrash, with a slightly raw sound, but with intense and direct guitar work. It starts with the cool intense thrasher "Plunging Into Megadeath", before it moves onto a more friendly, but equally fast speed/power metal ala Exciter, on "Outer Limits" and "Horrorshow". Later on some thrash returns, but not strongly enough to make this album one of the better achievements of the genre at that time.

Tales of Terror Full-length, 1985
Death & Insanity Full-length, 1986
Monument Full-length, 1988
Evil Never Dies Full-length, 2005

HAMMERED (CANADA)

Good energetic thrash of the mid-paced variety, at times smelling modern trends, recalling the Metallica Black Album ("Devil's Handshake"; watch out for the short fast outbreak in the middle). The semi-ballad "Bleeding Tears" is quite good, although the gruff delivery of the singer ruins it a bit. "Feeding The End" is a more ambitious move to progressive song-writing, but is a bit uneven, relying on stomping, sprawling riffs, and the good technical riffs scattered around, don't have the necessary impact. The closing "Hammerhead" is heads-down intense thrash of the old school, something which the guys should have provided more here.

Thrashing Metal, Screaming Loud EP, 2006

HAMMERED (USA)

A 3-track demo of blistering Germanic thrash: great fast tempo, sharp riffs, and some really impressive lead work ("Into the Ground"). The vocals are a bit of a letdown, being gruff, semi-death metalish.

Into The Ground Demo, 2006

HAMMERHAWK (HOLLAND)

The band's full-length is very good speed/thrash metal with some great melodies and fast, catchy riffs. At the end you can even find yourself humming some of the tunes- it's that good. The intro starts with a great harmonica melody, which I can't recall where it comes from, which later evolves into a heavy, smashing thrasher. The music from then on is faster and softer, but is very enjoyable and catchy. "Blow Up Doll" brings back the heaviness, and combined with the faster pace and some clever, semi-technical riffs, stands for the best song on the album. "Marked for Life" is a lesson in sheer speed and intensity, seldom matched by even more celebrated acts, topped by some mighty guitar melodies and good bass. The guys throw one hardcore-ish joke near the end: the 20-sec long "Aids II".

Break Loose EP, 1984
Welcome Home, We Expected You Full-length, 1991

HAMMERHEAD (BRAZIL)

An obscure release, containing classic Bay-Area thrash which on its most inspired, technical moments touches early Testament. The music is energetic, with some stylish insertions from the guitar department: jumpy, technical riffs on "Warning", a cool rock-ish short instrumental in the middle: "I Wish", followed by another great up-tempo, technical instrumental: "Within", etc. The songs lose the technicality towards the end, but start thrashing more aggressively: the nice headbanging closer "Nazi Hunter", which will also remind you of the Angel Dust's immortal hit "I'll Come Back".

Shadow Of A Time To Be Full-length, 1992

HAMMERWHORE (USA)

Cool thrash, which most of the time is pure Sodom (think "Persecution Mania") and Whiplash-worship, but there are touches of hardcore here and there; diverse and enjoyable. The songs are short (except for the excellent speed/thrash number "Onward to Oblivion"), explosive bursts of speed and intensity, topped by vicious mean vocals with a black-ish vibe. "Heavy Metal Destroyers" is a slower, softer, metal hymn, followed by the hardcore madness "Possessed By The Mosh", which is a really aggressive track, "decorated" with a short, grind-core passage. The second half is the more varied, with "Mercy To None", where the guys take another break, this time even bigger, playing some melodic crossover, and "Scream Bloody Rock'n Roll", which is a nice take on the good old rock'n roll.

Hammerwhore Full-length, 2005

HAMMERWITCH (USA)

The band's EP is good power metal, recalling the Jag Panzer debut, but three years later the story is completely different: this is actually one of the first bands who picked on the new modern thrash sound initiated by Exhorder and Pantera, and have done a very good job.

Return to Salem EP, 1988
Legacy of Pain Demo, 1991

HANGMAN (ISRAEL)

Based on the "Sinners Of Sodom" demo, this new band pull out some good classic 80's thrash metal which at its best moments picks a fair amount of aggression recalling Slayer and Vio-lence. The sound quality is a bit muddy, and the singer is a bit dodgy with his hoarse, slightly undeveloped voice, but this can all be corrected.

Sinners Of Sodom Demo, 2003
Thrash From The Dead Demo, 2005
Thrash Metal Blitzkrieg Vol II

HANG�VER (POLAND)

Based on the "Terrorbeer" EP, this is old school black-ish thrash which stretches from energetic headbangers in the Witchery vein ("Beer & Sodomy") to more relaxed, playful numbers (Swing of the Crowbar") ala Venom.

Terrorbeer EP, 2000
Terrorbeer Demo, 2002
Hang�ver/GMC split CD Split album, 2002
Thrash Metal Blitzkrieg Split, 2005
Under the Shitfluence EP, 2006

HARDNESS (PORTUGAL)

Based on the "Thrashin' Up..." demo, this band mix thrash and speed metal reminiscent of early Whiplash, Destructor and Rigor Mortis. The tempo is energetic most of the time, and the guys seem to feel better when they play faster (check out the great headbanger "Unbelievable War"); the guitar work is quite good, albeit too thin, and jolly crossover numbers like "Bailinho Da Madeira" make things even better.

Thrashing Up... Demo, 1990
Promo 1992 Demo, 1992

HARGOS (BRAZIL)

Modern, somewhat progressive thrash with a touch of gothic. This is mostly mid-paced, heavy music, spiced with keyboards, and some awful, hysterical hardcore shouts, as opposed to the basic semi-clean vocals. There are numerous atmospheric, orchestral moments, slower, doomy sections, and, of course, some cool more up-tempo thrashers ("Carnage", "In Metal Town"), but the latter is clearly not on what the band wanted to concentrate.

Shadows of Violence Full-length, 2007

HARM (NORWAY)

The Norwegian thrash metal scene is growing fast these days, and Harm is another addition to it. The problem is that the band's style is quite derivative, and there's nothing one hasn't heard before: modern, fast, intense thrash metal in The Haunted-mould, and perhaps a shade of Testament's "The Gathering".

Unleashed Full-length, 2004
Devil Full-length, 2006

HARPOON (ARGENTINA)

Based on "Grito De Rabia", this is power/thrash metal not too far from other Argentinian bands like Horcas and Hermetica.

Grito de Rabia Full-length, 1998
Batalla Eterna Full-length, 2006

HARTER ATTACK (USA)

With all the Nuclear Assault members invited as guest musicians, one wouldn't be surprised to hear some hardcore influenced thrash, and this is exactly the case. The sound offers very little outside that, but is energetic and catchy. The music resembles the D.B.C. debut and the D.R.I. more thrashy period, rather than Nuclear Assault, and offers very cool energetic thrashers ("Human Hell", "Culture Decay", which even manages to sound technical for a moment, the aggressive thrashing madness "Message from God"), as well as slower, stomping numbers ("Last Temptation", "Slaves of Conformity"). "Thugs Against Drugs" is the other track where the guys try something more interesting, with jumpy, more stylish guitars. The guitar work is actually quite good, more proficient than the regular thrash/crossover band, and the leads are a nice addition to the intense delivery, along with the shouty, but effective hardcore vocals.

Human Hell Full-length, 1989

HARTWIG (SWEDEN)

Modern thrash metal, sounding like many other bands nowadays.

Mind corruption Demo, 2003
Banished from life Demo, 2004

HATCHERY (GERMANY)

The first demo: a blend of modern and classic thrash with death metal vocals, of the more melodic variety, with some gothic elements; second demo: the music becomes more edgy, more technical, faster and more classic-oriented; the death metal vocals here are supported by some vicious snarls and although neither of the styles fit the music, the heavy thrashy riffs make this demo a very enjoyable listen.

Night Time Greys Demo, 2004
Distorted Society Demo, 2005

HATCHET (USA)

Based on the demo, these guys represent very well the area they come from: very competently executed energetic Bay-Area thrash in the tradition of Vio-Lence and Forbidden, maybe with a shade of Slayer, and with a certain technical edge in the guitar department.
"Awaiting Evil" is a strong full-length debut, fullfilling all the promises given with the demo: heads-down classic thrash, mixing Bay-Area riffs with more aggressive Slauer-esque ones. "Frozen Hell" doesn't fit this descritpion, being more melodic, speed metal-based, but is also quite cool. The rest is uncompromising thrash, with some really fine hits: the fast-paced headbangers "Morlocks Tomb", "Storm The Gates", and the excellent closer "Awaiting Evil".

Frailty of the Flesh Demo, 2006
Hatchet E.P. EP, 2007
Awaiting Evil Full-length, 2008

HATE (BOLIVIA)

Hate are obviously influenced by their Argentinian colleagues- Lethal and Horcas, with a pinch of Sepultura and the Bay Area scene. In other words, these guys play classic thrash metal, quite aggressive at times, and have managed to preserve their sound until present times, unlike those who influenced them.

Heart Beat Machine Full-length, 1998
Anagramas Full-length, 2001
Republica de Odio Full-length, 2003
Angel Oscuro EP, 2004
Odio Vivo Full-length, 2006

HATE BEYOND (JAPAN)

Excellent old school thrash which has more in common with the German wave, although some elements from the other side of the Atlantic could also be found. The guys never adhere to all-out aggression, but keep the speed at a respectable rate with some great crushing, galloping rhythms involved, too, and some interesting, semi-technical guitar work. The style is surprisingly close to the mighty Ritual Carnage (their last two albums), although the two bands do not share musicians, but for the great guitar work on the album the responsibility goes to the great Hiroshi Yamashita from Narcotic Greed. If Ritual Carnage are no more, with Damian Montgomery reportedly going back to the States, these guys are very close to becoming the new leaders of Japanese thrash metal. The only pull back might be the death metal vocals which do not quite suit the music too well.

Perpetual Pain Full-length, 2003

HATE OVER GROWN (PORTUGAL)

Modern groovy, slightly industrialized thrash mixed with hardcore; will appeal to fans of Pantera, Misery Loves Co., Grope, even Biohazard. There are quite a few offbeat, non-standard moments (samples, funky, even doomy sections, rap-styled vocals, etc.), but at that stage the industrial metal scene has shown all its hidden "weapons", so expect no pleasant surprises.

Seed Full-length, 1995

HATE SQUAD (GERMANY)

This band's debut would have been a good rival to Machine Head's "Burn My Eyes" back in 1994; typical modern thrash, quite well done. "I.Q." carries on in the same vein, offering more varied tempos, often quite energetic, abandoning the groovy patterns, but only partially; the head-banging potential is much better felt than, for example, on the very heavy and depressing "The More Things Change,..." (Machine Head).
"Degueello Wartunes" is a step down from the aggressive, abrasive sound of the band's early works. The music is stronger industrialized, and less intense; the faster tracks ("Rise Up", "Killing Spree") are "served" with a softer, crossover-vibe. There is some annoying participation of clean, melodic vocals, and the overall style is quite similar to the later works of the Swedish industrial act Misery Loves Co. "Hannover H8core", despite its promising title, is nothing more than an industrial heavy metal hymn, and is the weakest song here.

Theater Of Hate Full-length, 1994
I.Q. Zero Full-length, 1995
Sub Zero - The Remixes EP, 1996
Pzyco! EP, 1997
Pzyco! Full-length, 1997
H8 For The Masses Full-length, 2004
Degueello Wartunes Full-Length, 2008

HATEDRIVE (GERMANY)

Another modern thrash/death hybrid in the tradition of The Haunted, Dew-Scented and the likes.

Population: 0 Demo, 2004

HATEFORM (FINLAND)

Modern thrash/death with a gothic edge, quite good, not very fast, with very cool guitar melodies and solos, which distinguish them from their Swedish colleagues. There is a certain technical edge here, which brings the sound close to Opeth sometimes, but the songs are shorter, and have no progressive decorations, at least not intentionally ("Bled", with its nice acoustic/lead break in the middle). The riffs are heavy, but are not given much space, compared to the melodic guitar lines. You can still bang your head here: "Sky Cries Blood" and "Chains" are good more up-tempo thrashers, again ornated by nice melodic lines.

Dominance Full-length, 2008

HATEFRAME (FINLAND)

At the time when Slayer were straying from their 80's roots, some bands were rediscovering them with full force. Hateframe are one such a band, and they do a marvellous job bringing us back to those days. The band are more influenced by late 80's Slayer, mixing fast thrashers with some heavier, moody pieces; vintage Slayer- this is what everyone will get here!

Sign Of Demise Full-length, 2005

HATEFUL AGONY (GERMANY)

All three albums are fine examples of classic 80's speed/thrash metal, obviously influenced by the Holy Three of German thrash- Destruction, Kreator and Sodom (a pinch of Slayer on the more intense sections, maybe). This is fast and very well executed music which at times picks up more aggression acquiring some death metal qualities, similar to Sodom's "Tapping the Vein". All albums are of consistently high quality, and this is by all means one of the leading German thrash metal bands of recent years. If I have to recommend the best release of all three, I would probably go for "Black Hole", which is a fine representative of the band's potent style, and probably contains the best guitar work, as well as a cool cover of Whiplash's "Spit on Your Grave". "Obey" contains the most aggressive material, with nods to death metal, and some very fast riffage; "Soldier of Fortune" from this album, is not a Deep Purple cover.
"Existence Is Punishment", the band's debut, is not far behind, and although it begins in an openly aggressive, Slayer-esque manner with "Psycho KIller", later it reduces the speed a bit, adding some more melodic guitar hooks, which work quite well, and move the sound in an early Kreator and the Exumer's debut direction- the excellent speedy killers "Off With Their Heads" and "Violent Domination". The end is preserved for a very good, very fast cover version of Dark Angel's "Merciless Death".

Existence Is Punishment Full-length, 2000
Black Hole Full-length, 2003
Obey Full-length, 2006

HATESPHERE (DENMARK)

One of the better modern death/thrash metal bands nowadays. The style is not too far from The Haunted Or Dew-Scented, but the vocals are more in the hardcore camp.

Hatesphere Full-length, 2001
Bloodred Hatred Full-length, 2002
Something Old, Something New, Something Borrowed and Something Black EP, 2003
Ballet of the Brute Full-length, 2004
The Killing EP EP, 2005
The Sickness Within Full-length, 2005
Serpent Smiles and Killer Eyes Full-length, 2007

HATESTREAM (FINLAND)

Modern thrash/death metal with an obvious influence from the Gothenburg school. The style is mild, more melodic than the one performed by The Haunted-clones swarming the scene, with slower, gothic passages and some occasional nods to 80's thrash metal.

Total Delusion Demo, 2004
Hate Squared Demo, 2006

HATEWORK (ITALY)

Another nod to the German school. This is a fine band who play very good, fast-paced thrash along the lines of Tankard, but this is not relentless attack on the senses; the guys add some moments from classic heavy/power metal, too ("Heavens on Fire", which is not a Kiss cover, and "Devil Eye" from "Thrash'n Roll", and "Total War" from "Madbent for Disaster"). Perhaps the album title describes it best: thrash'n roll!

Thrasher's Attack EP, 2000
Total War EP, 2001
Madbent for Disaster Full-length, 2002
Thrash 'n Roll Full-length, 2004

HATRED (GERMANY)

Cool thrash with some technical licks and good clean 90's power metal vocals in the more laid back passages (the ballad "Lie To Me" from the full length), as opposed to the less impressive, rough mid-ranged ones. The album starts in a slightly heavy-handed and modern way ("Two-Faced"), but soon "Betrayal" corrects the impression, speeding up in the old school fashion. "Soulless" increases the intensity with some death metal blast beats, but later on the modern sound comes forward, mixing with the classic one, occasionally sounding quite compelling: "Fractured By": an awesome speedy technical thrasher in the early Coroner mould, with great melodic guitar work, and some quite good clean vocals- the highlight on the album. "Metal Massacre", the closer, is the lightest track here (if we exclude the ballad, of course), but is a decent power/speed metal hymn.

Fractured Demo, 2002
Soulless Full-length, 2004

HATRED (SWEDEN)

Very good power/thrash metal which borrows both from the European and American school- Attacker, Omen, Helstar, etc. The "Winds of Doom" demo: at their best the guys deliver some awesome speed/thrash, not too far from Liege Lord and Attacker ("Daydream", "Antichrist"), spiced with slower breaks, and more melodic, not as sharp riffs. The other side is preserved for more laid-back, but quite worthy power/speed metal tracks ("Troops of Metal", "Annihilation").
"Welcome to Reality" comes splashing on the undergorund scene, with fabulous sharp thrash, with a certain technical edge, again courting the American acts, but this time the target is the more technical ones: Ulysses Siren, Have Mercy. "Tempted by Violence" is awesome intense technical thrash, followed by the heavy power/thrasher "Quest for Liberty", which recalls the debut demo. "State Eclipse" returns to the more aggressive and technical formula, also providing some stomping, meaty riffs. "The Reinforcement" is very good crushing mid-paced power/thrash, with genuine, doomy ending in the best tradition of their compatriots Candlemass.

Winds of Doom Demo, 1987
Welcome to Reality Demo, 1988
Hatred Demo, 1989
The Forthcoming Fall Demo, 1990

HATRED (USA)

It's amazing how many bands were practicing the brutal, proto-death metal sound in the mid 80's! It's a real pity that only Possessed are mentioned when it comes to the death metal pioneers. On the "Drowning In The Afterbirth" demo, these guys unleash hell three-four times as vicious as the one on "Seven Churches", or "Pleasure to Kill". I would probably go as far as calling this demo the first full-fledged death metal recording, if it wasn't for the thrashy nature of the guitars, but only at times. In other words, expect merciless, brutal, fast assault on all senses, mostly coming in the form of 2-2.5min songs from these initiators of the death metal genre.

Demo Demo, 1985
Drowning In The Afterbirth Demo, 1986

HATRIX (USA)

A very good, but short-lived crossover/thrash metal band. Their music is quite effective, more aggressive than the average band from this sub-genre, and the riffs are quite sharp and heavy, recalling 80's Anthrax quite a bit, as well as the early works of the Brits Acid Reign. Both albums are very strong, with the debut containing the more varied, and faster material, where some tracks will blow you away with their uncompromising delivery, and at the same time very cool melodic leads: "Bad Religion", "Sick of Myself", "Dick's Night Out".
"Collisioncoursewithnoplace", which contains some tracks from the debut (which are almost unchanged), sounds even close to classic Anthrax, but the songs flow in the same pattern: heavy, "chugga-chugga" riffs, mostly mid-paced, with a more aggressive attitude. Some songs betray the classic sound, with their groovy rhythm and synthesized vocals: "Deprivation". Still the leads are on a very high level, and the semi-ballad "No One" is quite good, the singer there using his clean, and a very good, tember. The band disappeared after this one, apparently not willing to succumb to the modern trends.

Hatrix Full-length, 1993
Collisioncoursewithnoplace Full-length, 1994

HATROSS (CROATIA)

Based on the "A Look at Tomorrow" Best of/Compilation, this band play thrash/crossover, fast and energetic, but descends sometimes to some punk-ish numbers ("A Look at Tomorrow") in the Dead Kennedys vein. All of a sudden this idyll is broken by the furious death metal piece "Pain", followed by the industrialized doom song "Self Destruction" which is a clear nod to Killing Joke. As any best of compilation, this album contains tracks from all stages of the band's career, so it shouldn't be a surprise the diverse nature of this recording.

A Look at Tomorrow Demo, 1992
A Look at Tomorrow Best of/Compilation, 1993
Untitled Demo Demo, 1996

HAUNTED GARAGE (USA)

Thrash/crossover meets the eclectic, avantgarde style of mid-period Voivod. The music is not hard hitting, but is cheerful, with a certain punk-ish attitude.

Possession Park Full-length, 1991

HAUNTZ (USA)

Power/thrash metal of the mid-paced variety, with good Rob Halford-influenced vocals, except for the annoying tendency which this singer has: to scream like a banshee. "Speed Kills" breaks the monotonous feeling, and goes straight into speed/thrash metal territory- a nice short number. "Archery" goes into the other extreme, sounding almost epic and doomy, if we exclude the faster middle part.

Hauntz Demo, 1987

HAVE MERCY (USA)

Have Mercy showed a lot of promise with this EP of excellent technical thrash which was actually one of the earliest technical works on the American metal scene. Their music is quite intense without being super fast; the awesome riffs lash you from all sides leaving you breathless and begging for more (there are only 5 songs on it), accompanied by good high-pitched vocals not miles away from John Cyriis. The style here is close to "Unstoppable Force", and the works of the other early great technical metal act from the States: Ulysses Siren. This extraordinary EP is by far one of the most impressive efforts on the whole American metal scene. Echoes of it could be found on many future great works: Agent Steel's "Unstoppable Force", Helstar's "Nosferatu", Bezerker's "Lost", Liege Lord's "Master's Control", Forbidden's "Twisted into Form", Wargasm's "Why Play Around", etc. Unfortunately, this band never left the underground in spite of teasing the metal audience's ears with other, maybe not that high quality demos and splits; another good example of the metal world's injustices.

Armageddon Descends EP, 1986

HAVOC (USA)

Havoc offer us some enjoyable melodic thrash with two vocal styles- one clean (and slightly annoying), the other death metal-ish. You might find this awkward as neither of the two styles has anything to do with thrash, but the final result is not bad at all. In the "Symbol Of Chaos" demo there is a song called "Christopher Walken" and a hidden one called "Christopher Reeve"- this is how some people pay tribute to their favourite film stars (or their favourite name).

Heavy Artillery EP, 2000
Unleashed at Chain Reaction Live album, 2001
Ground Zero Demo, 2003
Symbol of Chaos Demo, 2003

HAVOC MASS (USA)

This album is like a big fresh breath of air for the dying thrash genre in the 90's. Excellent dark technical classic thrash which sounds even more compelling considering the time of release. The style kind of resembles Nasty Savage, and more particularly "Penetration Point" (that same band's drummer-Curtis Beeson, actually plays in Havoc Mass), but is a tad more straight-forward, and more aggressive. The singer tries to stay close to Nasty Ronnie's tember, and succeeds at times, but his voice is lower, and more one-dimensional. The guitar work is very stylish, and the guys prefer to stay within the mid-paced range, which helps their music create the same steam roller-like impression, similar to Nasty Savage. One of the finest one-album wonders produced by the American metal scene in the 90's.

Killing the Future Full-length, 1993

HAVOCHATE (USA)

The band offer a fairly good mixture of modern and classic thrash. From the modern side we have the last two Exodus albums as soundalikes, or recent Overkill; on the classic side we have Testament (their first two albums). Add some more balladic songs and a unique singer who can sing in several vocal styles ranging from death growls to Rob Halford-like screeches, plus some Pantera-like riffs from time to time, and the picture is close to being complete. The future of American metal looks safe with acts like this around.

This Violent Earth Full-length, 2003
Cycle of Pain Full-length, 2005

HAVOK (USA)

A nice little EP of heads-down speed/thrash in the spirit of early Metallica (the EP title is an obvious reference to the Metallica debut album); straight, headbanging energetic riffs, with a good sense of melody, very well mixed on the excellent "Havok". The guys seldom try something slower, more mid-paced ("To Hell"), which works almost as good. "Root of Evil" introduces some furious thrashing at the end, combining Razor-like intensity (think "Shotgun Justice") with punishing, stomping riffage ala Nasty Savage (think "Indulgence").

Pwn 'Em All EP, 2007

HAYAINO DAISUKI (USA)

Three wild girls are responsible for this 4-song EP of intense aggressive modern death/thrash, quite similar to the Chinese Resurrection, but without blast-beats; the music is constantly fast, and the guitar work is really good, with some cool melodic licks. The downpoint is the vocals, which are hysterical shouts with a black-ish vibe.

Headbanger's Karaoke Club Dangerous Fire EP, 2008

HAYWIRE (USA)

Based on "Private Hell", this is thrash/crossover, on the melodic side, similar to Lawnmower deth, but not as appealing.

Painless Steel EP, 1989
Private Hell Full-length, 1989
Abominations Full-length, 1990

HEAD CRUSHER (COLOMBIA)

Based on the "Your Blood On My Hands..." EP, this is modern groovy thrash with brutal death metal vocals and some more intense sections which also smell death metal ("What's Right For Me"); some parts are pure Biohazard worship ("Weak"); nothing really worth checking out.

Your Blood On My Hands... EP, 2003
Re-Evolve EP, 2005
I Felt This Before Full-length, 2007

HEAD HUNG LOW (UK)

Heavy modern thrash metal with some refreshing death metal outbursts; unfortunately, they are not too many here, and the rest is pretty pedestrian and generic.

Within the Limits of her Being EP, 2002
Audio Killing Spree Full-length, 2004

HEADCRASHER (ITALY)

Based on "Nothing Will Remain", this is first class speed/thrash in the vein of Angel Dust and Paradox. These guys are the finest representatives of this genre from Italy back in those days, and even now I can hardly think of anyone surpassing them. The only place where these guys slow down, is the nice ballad "Good Morning, Amazzonia!". The rest is merciless attack at its smashing best.

Nothing Will Remain Full-length, 1989
Introspection Full-length, 1991

HEADHAUNTER (HOLLAND)

This album starts with an imposing, over 5-min intro, which is actually a full-blooded heavy thrashing instrumental, and it pretty much sets the tone of what follows; the band's sound hesitates between shorter, direct headbangers (which are the better side of the band's style: "Encured Soul"- speed/thrashing madness!), and some longer ones, where the intensity of the former is mixed with some heavier, almost doomy riffs and sections where the lead guitar takes the upper hand, without being too striking . Those longer tracks (two out of six) have their moments, but the lack of more interesting play make them sound quite monotonous. The music is closer to the old school, with some modern "insertions" here and there.

Visions of Paranoia Full-Length, 2004

HEADHUNTER (GERMANY)

This band were formed by Marcel Schmier after his exit from the thrash legends Destruction. The first effort carries the trade mark razor sharp Destruction-like riffs, and is quite a good beginning; it thrashes with full force and conviction on most of the tracks (check out the speed killer "Parody of Life", the awesome riff-fest "Kick Over Your Traces", the jumpy intense "Curse"- a marvellous song!, or the other speed metal delight "Crack Brained"- a nod to the Destruction album of the same name?; well, if so, quite a good nod!), raising the hopes high of those, who were not too happy with the more technical direction Destruction took with "Cracked Brain", and a sure pick for the top ten of 1990.

However, Schmier was not satisfied with merely copying his old band, and later the music took a more melodic, and even progressive direction; "A Bizarre Gardening Accident" is more than a worthy follow-up, although the unbridled aggression of the debut can seldom be heard. "Signs Of Insanity" sounds like a leftover from the previous album, with its cool up-tempo thrashing approach, and the next "Hit Machine" is no less intense, but the guitars are not as sharp, with a certain technical edge. After the peaceful, heavy metal break "Born in the Woods", the thrashing goes on with "Two-Faced Promises", followed by the humorous joke rock'n roll piece "Ramalama". This might pull you back a bit, but "Boozer" will bring you back in the game, with its galloping, sharp riffage. "Pangs of Remorse" is a cool, heavy ballad, followed by a couple of more laid-back power/thrash mixtures, before the closer "Deadly Instinct" speeds up again, being a fine energetic thrasher.
"Rebirth" starts in a hevy, semi-modern manner, with the stomping "Adrenalin"; the modern sound remains, but it is more appealing on the faster tracks ("Army of the Blind", "Scars"). "Don�t Bogart..." is another joke-song, but it has no many aggressive tracks to contrast on, and is hardly necessary; the same goes for the semi-balladic "Too Late For A Change". "Struck" and "Warhead" offer something new: heavy, slower songs, with stomping, but technical, choppy riffs, which sounded quite classic and interesting; a tendency which remained unfinished, because after this one the band split up, and five years later Schmier rejoined his old love Destruction.
Wow, Schmier hasn't forgotten about this formation, busy with Destruction, and here he strikes again, but with mixed results; "Parasite Of Society" is a good, albeit a flawed comeback album. "Parasite Of Society" opens it in an awesome headbanging fashion, thrashing in a way last heard on the debut. "Silverskull" sounds a bit disappointing, with its melodic, power metal approach, and a catchy chorus, and when another similar number follows (the longer, and even more melodic "Remission"), one might start re-adjusting his initial high opinion, but before doing that, he should give at least one more track a listen, and this is "Doomsday For The Prayer": an intense up-tempo thrasher. Well, but "18 And Life", which is a Skid Row cover, will confuse him even more, simply because thrash disappears once again, only to return for the excellent, softer, but entertaining speedy "Read My Lips". "Egomaniac" is a nice energetic thrashing piece, which overshadows the following two songs, which are slower, one of them a semi-ballad ("The Calling"), before the closing Judas Priest cover of "Rapid Fire" restores the faith in the band once more. This is a hit-and-miss affair, as though Schmier was not certain whether to make this album sounding more appealing to more metal fans, or to leave it within the confines of thrash metal; as a whole it will make quite a few heads shake in doubt, but taken as separate fine moments, it delivers the goods.

Parody of Life Full-length, 1990
A Bizarre Gardening Accident Full-length, 1992
Rebirth Full-length, 1994
Parasite Of Society Full-length, 2008

HEADLESS CROSS (UK)

Based on "Burning Sanctuary", this is a very cool fusion of traditional metal and thrash recalling the Americans Midevil and Steel Reign. There is not much variety in the tempo which is mostly mid-paced, but the good, heavy riffs will make your day. "Burning Sorrow" is a nice acoustic ballad.

Burning Sanctuary EP, 2005
In Cold Blood EP, 2006

HEADLOCK (USA)

Thrash/crossover with some rap and funk-ish overtones, recalling Mordred's "Fool's Game", and 90's Flotsam & Jetsam, in the heavier parts.

It Found Me Full-length, 1994

HEADSHOT (GERMANY)

Based on "Diseased", the band walk the fine line between classic and modern thrash, and do a very good job as such. Their music has a certain technical edge, and reminds of Repent's debut at times, or Kreator of the new millennium. The beginning is melodic and modern ("Cancer"), with a great Oriental guitar hook inserted, but afterwards the music takes a nice headbanging turn ("No Justice Till' Death", "Infiltrator"). Some cool heavier, stomping thrashers are thrown in as well ("Souls At Zero", "DNA Distortion"), but their faster side is the more attractive one, and aggressive, Slayer-esque smashers, like "Eraser", are the highlight here. "Plague" is a brilliant heavy, technical instrumental- a nice finishing touch to this fairly good album.
"Emotional Overload" is another cool effort, if we exclude the strained, unpleasant, hardcore vocals. The music is heavier and more modern sounding, with a considerable amount of groove, but with enough more energetic thrashers to pull it through: the 2-min explosive Slayer-esque "Sudden Death", the heavy, mid-paced piece "Silent Cry", again recalling Slayer, but their late 80's period. The closing track: "Shades of Grey", is almost 20-min long, and is seemingly a combination of two separate pieces: one, a typical groovy modern one, the other quite energetic, with some nice melodic guitar work, sung in German.
"As Above, So Below" arrives after a long, 5-year hiatus, and sees the band in fine form, ready to provide some high quality thrash once again. "Isolation" starts thrashing intensely from the very beginning, and things get even more aggressive, with the following short Slayer-esque "Which Means War". "Old Patterns" deviates into heavier, more technical direction, recalling Nevermore, adding nice Oriental hooks to the proceedings. But "Bound To Fail" (which is not an Accept cover) restores the aggressive thrashing, with smashing lashing riffs; a tendency marvellously sustained by the next furious "Second To None". "Quest For The Sun" is the most melodic track, a power/thrash fusion, which boasts the best lead guitar work. More surprises come later on: "As Above, So Below"- a great dark progressive thrasher, again bringing Nevermore, and Communic, to mind; the guitar performance is stupendous, with some more brilliant Oriental tunes added, excellent leads again, and some complex crunchy riffage. This more elaborate approach remains for the blistering technical instrumental "The Swarm": a rare display of technical brilliance, which some of you might listen over and over. The closing "We Disintegrate" preserves some of the technicality, but is a more direct headbanger, quite close to the works of recent Kreator, for an upteenth time inserting some fine Oriental melodies, which are the light-motive of this very strong effort, by far the band's finest hour, and one of the most impressive entries from the thrash metal field for 2008.

Brain at Risk Full-length, 1995
Emotional Overload Full-length, 1998
Diseased Full-Length, 2003
As Above, So Below Full-length, 2008

HEARING IMPAIRED (USA)

Thrash/crossover in the vein of S.O.D. and early Suicidal Tendencies. There is one speedy number: "Cattle Prod", one jolly, punk-ish one: "Reebok", and the last one is a very disrespectful "tribute" to Frank Sinatra: "Frankie", starting as a dialogue between two people, than moving onto someone imitating Sinatra, before it becomes a full-blooded thrashy hardcore fury.

Demo Demo, 1988

HEATHEN (USA)

This magnificent Bay Area thrash metal band started greatly with "Breaking The Silence"- a fine speed/thrash album with catchy and memorable numbers, boasting some of the finest speed/thrash hymns of the whole 80's American scene: "Save the Skull", "Death by Hanging", as well as the Sweet cover of "Set Me Free". A lengthy pause followed between the first and second album, but it was really worth the wait: "Victims Of Deception" is a colossal album featuring heavy, technical riffs, with longer and more complex songs, not too far from late 80's Metallica; one can not help, but admire technical/progressive thrash masterpieces, like "Heathen's Song", "Opiate of the Masses", among others. The only downpoint is perhaps the not very necessary inclusion of the Rainbow cover "Kill the KIng". This album, along with Dark Angel's "Time Does Not Heal", gave a new, very interesting shape of the American thrash metal scene in the early 90's, but both acts disappeared. 13 long years later, apparently encouraged by the thrash metal revival of the new millennium, the band released a compilation of old, remastered tracks and cover versions in 2004 (Thin Lizzy, Queen, etc.), followed by a great 3-track demo a year later, which sounded like the perfect continuation of the great "Victims Of Deception", with a pinch of the early carefree speed/thrash approach, are hopefully signs of a third album in the makings.

Set me free EP, 1987
Breaking The Silence Full-length, 1987
Victims Of Deception Full-length, 1991
Recovered Best of/Compilation, 2004 Demo Demo, 2005

HEBOSAGIL (FINLAND)

Finland keeps churning out thrash metal bands, most of them really worth checking out. Hebosagil are one of those who deserve your attention; the band's style is consistent throughout the demos (and an EP), being high-speed thrash of the classic variety with a few nods to death metal resembling Recipients Of Death, Hypnosia and the Japanese Fastkill (especially on the "November Reign" demo where the "Early Destruction Played Faster"-description fits perfectly). Hopefully these guys will be picked by some label soon!

Demo II: Hebosagil Sell Out Demo, 2004
The Doomchild Demo, 2004
November Reign 2005 Demo, 2005
Studio live 2005 Demo, 2005
Hard as They Come Demo, 2006
Cosmic EP, 2007

HECTIC (HOLLAND)

Based on the "It Bites" demo, these guys pull out a simplistic, and not very impressive blend of Motorhead, early Razor, and Destructor. The music is not very sharp most of the time, except on a few occasions where it sounds more aggressive and chaotic, introducing some hardcore in the proceedings. The band added two 9's to their name, and with this came the change of sound into a more friendly heavy/power metal-based one.

It bites Demo, 1987
Expose your hate Demo, 1988

HECTOR (CZECH)

Based on The "Open Hell" demo, the band's style is very cool thrash which recalls Accuser's debut or the Swiss Poltergeist (their first album as well). The music is good with the obligatory fast tracks, some slower, semi-technical ones and even some balladic touches.

Open Hell Demo, 1991
Nine Two Nine Three Demo, 1993

HECTORITE (SWEDEN)

Based on the "Subliminal Torment" demo, this is modern thrash death similar to Terror 2000 and Corporation 187 in the faster sections, mixed with some dry mechanical guitar work ala Meshuggah. Surprisingly, this blend works well, sounding like a more interesting and vivid Meshuggah.

Insano Technimetal Demo, 2001
Nocturnal Metempsychosis Demo, 2002
Subliminal Torment Demo, 2003

HELGRIND (UK)

Based on the "Fallen Prophet" EP, Helgrind play very cool classic up-tempo thrash metal which slightly recalls early Xentrix (the first two albums) and the Americans Midevil.

Denial Full-length, 2005
Fallen Prophet EP, 2007

HELL: ON

A 3-song demo of uneventful heavy groovy thrash, with slight shades of melo-death ("To Become Alive").

Beyond the Fake EP, 2008

HELL INSIDE (CHILE)

Based on "Sed Viciosa Mental": this band play cool retro thrash- fast and energetic, but served with a muddy sound quality, and hoarse, death metal-ish vocals. The music packs a punch, though, staying close to the German masters Destruction and Kreator, with occasional, more aggressive proto-death parts ("Death My Finger").

Tribute to Sepultura Demo, 2005
Sed Viciosa Mental Demo, 2007

HELL PROMISE (USA)

A really good debut of slightly groovy thrash with some touches of hardcore (mainly in the vocal department) not too far from Pro-Pain, or probably early Machine Head. The songs are all in the same energetic, but not very fast pace, and are very catchy; fans of the 90's groove-based scene will enjoy this a lot.

Aim For Hell Full-length, 2006

HELLACAUST (CANADA)

Black/thrash metal becomes quite popular in Canada threatening to overtake the technical metal field with which this country has been proud for so many years. Joking, of course... But, seriously, this band pull out some very fast and aggressive black/thrash which would make even Necrodeath proud. The music also recalls Hellwitch, but is not as technical. This is a full-fronted aural assault, done professionally, which will make you headbanging for days.

Dark Age Descending Full-length, 2002
Inevitable Dementia Full-length, 2006

HELLBASTARD (UK)

Hellbastard hail from the vast punk/hardcore scene which was particularly strong in the UK, and their roots have remained there despite some serious attempts at thrash metal made later in their career. Their best album from this thrashy period is by all means "Natural Order" which is pure thrash metal attack, with their hardcore past only slightly hinted at. This album actually offers very good music, with some great leads, and a fast, energetic tempo, providing some really great headbanging moments ("I Beg In Blood", "Natural Order"). Some slower, but still hard-hitting songs come up towards the middle ("There Is No God,...", "Neon Storms"), and a melodic, rosk-ish number ("Live as Mortals"). The vocals remain in the hardcore camp, but they kind of take a secondary role here, as more room has been given to the very good music.

Heading For Internal Darkness Full-length, 1988
They Brought Death EP, 1989
Natural Order Full-length, 1990
Blood, Fire And Hate Full-length, 1999
The Good Go First...Hate Militia Full-length, 2000

HELLBOX (FRANCE)

Based on "Infernothing": this is a pretty decent black/thrash metal band which will bring you back to the days of Venom, Celtic Frost and Bulldozer. It even puts all these acts to shame, with the opening "Infernothing", which is a blasting aggressive black/thrash at its best, but remains the only one of its kind. The situation, however, comes quickly under control, with the sinister mid-paced "Coin Under Tongue", another great, hypnotic track. Then the band lose it for a while, with the hardcore-ish short "Liar Liar", but waste no time to come back on track, with the equally as short, but much better Slayer-esque "Vulture". "Helldriver" is probably the other not very convincing moment: jolly playful rock-ish thrash. After it the guys fail to capture the earlier aggression, and the remaining songs are more melodic, acquiring a certain hardcore shade, staying quite close to early venom, with oe cool deviation: the heavy, Celtic Frost-like "Eviction from the Grave", followed by the closing "Christmas Suicide", which is excellent speed/thrash with nice melodic hooks.

Sadisticlaw Full-length, 2003
Infernothing Full-length, 2006

HELLBREATH (GERMANY)

Decent power/thrash metal with some cool technical riffs, mostly mid-paced with some slow, progressively-laced passages. Despite the not very good sound quality, it's clear that these guys were aiming high with their unconventional approach to song writing, but they wouldn't have made an impact with this very bad singer whose semi-death growls are so unsuitable to the music that are very close to ruining everything.

Slave Of God Full-length, 1988

HELLER (SERBIA)

Very good classic Bay Area-influenced thrash metal from Serbia. There are some other styles which could be heard on this album like classic heavy, doom metal and even grind on the very short, 11-sec long track "Adam I Eva".

Heller Full-length, 1989

HELLFIRE (CHILE)

Based on the "Decapitation" EP, this band play excellent classic fast and aggressive thrash akin to Slayer's "Reign in Blood" and Vio-lence's "Eternal Nightmare" with a more technically-inclined guitar work. "Sicario" is an awesome heavy technical thrasher which slows down, recalling Metallica's late 80's period, also featuring some stylish technical hooks ala Death and Pestilence.

Rehearsal' 93 Demo, 1993
Rehearsal' 04-05 Demo, 2005
Trust Went Hell Single, 2006
Hellfire Full-length, 2007
Decapitation Single, 2007

HELLFIRE (POLAND)

One of the brightest hopes of Polish thrash metal. The band's style is a mix of speed, thrash and power with touches of progressive metal. The music bears resemblances to 80's Agent Steel and Paradox; at times it is fast, at times heavier, and at times quite technical, with some great solos. "Recoffination" is a sure-handed debut, providing the listener with a solid doze of first rate speed/thrash, with some really impressive pieces ("Invisible Death", "Sin"), boasting some great choruses and superb guitar performance. The band show their more epic side with more ambitious numbers ("Grave Story"), which still thrash respectably. "Hellfire" is a worthy closer to this album, fast and brisk, with a touch of the 90's power/speed metal scene.
If the debut was a strong beginning, "Requiem For My Bride" is more than a worthy follow-up. It has a more aggressive, more thrashy sound, and the guitars are much more technical, easily winning the tag "technical speed/thrash" for this album at quite a few moments. The fast pace has been preserved all over, but the speed/power metal atmosphere of the 90's is not so strongly felt this time. Some songs are really superb takes on technical, expertly made metal: "Defection", "The Answer". The singer is suitable to the style, with his melodic, high-pitched voice, but might be irritable to those who prefer to hear more aggressive vocals with this kind of music.

Recoffination Full-length, 2003
Requiem For My Bride Full-length, 2005

HELLHOUND (JAPAN)

This band is similar to another Japanese band: Sex Machineguns. Like them they like to mix numerous styles like classic heavy metal, thrash, power, speed metal and even some hard rock with a strong 80's flavour. It definitely has its moments, but the thrashy numbers are not that many to make it a really enjoyable listen for all thrash fans.

Welcome To Metal Zone EP, 2004
Tokyo Flying V Massacre Full-length, 2006

HELLHOUND (USA)

Power/thrash metal which varies from Exodus' "Bonded By Blood" to Attacker, to some quite impressive technical riffs on the last demo. This last demo is actually a nice example of fast-paced, technically minded power/thrash not too far from Helstar's "Nosferatu".

Rehearsal Demo Demo, 1984
Submit Or Die Demo, 1985
From The Ruins Of Yesterday Demo, 1987
Ice Age Best of/Compilation, 1998

HELLIAS (POLAND)

One of the true greats of Polish thrash metal. The music has similarities to Destruction and Sacrifice, but there are quite a few slower, atmospheric and technical tracks not too typical for the aforementioned bands. A great and original band, except on their last release-"Fakty..." where the music is typical, unimaginative modern thrash.

Noc Potepienia EP, 1988
Blind Destiny Full-length, 1993
Fakty... Full-length, 1996

HELLION (UKRAINE)

This is modern thrash/death, heavy and mostly mid-paced with rough, hardcore-ish vocals. There are some attempts at more technical play ("Creatures of My Mind"), but the guys quickly give it up. Some more energy added on future works would not be a bad idea; now all tracks seem to merge into one another, being in the same tempo, with repetitive riffs.

Strong Enough Full-length, 2006

HELLISH CROSSFIRE (GERMANY)

The base for this debut is classic speed/thrash, but there are influences from death and black metal, albeit not too many; aggressive and very good stuff. The music doesn't stray from the winning formula of early Destruction and Sodom's "Persecution Mania"; Rigor Morits' debut could be another good reference point. The songs here are longer, and the guys nicely alternate between fast-paced and slower sections all the time. The singer has a gruff, but suitable voice, not miles away from Bruce Corbitt (Rigor Mortis).

Slaves Of The Burning Pentagram Full-length, 2006

HELLIXXIR (FRANCE)

Based on "War Within", this is very good power/thrash metal with some balladic, doomy moments. The style recalls slightly the Canadian one-album wonder Zions Abyss, but the Frenchmen are more thrash-oriented (check out the excellent "Mr. Hyde"-the highlight of the album!). This band are really worth checking out, as their music will find its way into the hearts of both thrash and doom metal fans.

The Cypress Forest Full-length, 2003
War Within Full-Length, 2007

HELLMASTERS (USA)

Thrash metal with a rock'n roll spirit. References to Motorhead are inevitable as well as to Gehennah and Bewitched from Sweden. This is a very enjoyable, "party" stuff!

I Would Kill For Rock�N�Roll Full-length, 2002

HELLNIGHT (NORWAY)

Based on the "Piracy and Horror" demo, Hellnight play an enjoyable blend of thrash and some rock'n roll rhythms which will remind you of Hellmasters (see the review above!), or a lighter version of Entombed's mid-90's period ("Wolverine Blues", etc.).
"Murder Entertainment" is quite diverse: it contains some brutal black metal insertions not too far from Darkthrone ("Compannions"), but compensates with the merry rock-ish thrasher "Fellowship of Gore". "Entertainment" is another happy number, but slower, with a heavier rhythm and some groove involved.

Piracy and Horror Demo, 2006
Murder Entertainment Demo, 2007

HELLPREACHER (USA)

This is the band where the Rotting Corpse guitarist Roger Gallardo started his career. An excellent 3-song demo of speedy thrash metal with great piercing riffs and a really intense and fast delivery which can only be compared to Angel Dust's "Into the Dark Past", but this one is more aggressive. With three songs only, these guys put easily to shame the more speedy efforts from the American metal scene at the same time of Blessed Death and Destructor, and even Whiplash. Gallardo would have done great if he had stuck with this band for longer.

Resurrection Demo, 1986

HELLRAISER (RUSSIA)

One of the bunch of Russian thrash metal bands who appeared in the early 90's. Unlike Koma or Aspid, Hellraiser's music is of a more conventional nature similar to early Zhelezny Potok. "We'll Bury You!" sticks to the Bay Area patterns, offering some longer, but slightly one-dimensional tracks, which hit the top with the monotonous, 9-min long "Dark Side of You". Those of you who have lost their patience after this one, and have truned off their players, have missed out, because after this one the songs become shorter, with more catchy riffs, and a more aggressive attitude; check out the very cool headbanger "Snakes In The Kitchen". "No Brain No Pain" offers a more technical, and heavier guitar sound, aiming at Metallica late 80's period. The music is still deeply rooted in the 80's, but the songs are longer, and some plodding, poinless numbers like the doomy "Witch" lessen the impact of the better material.

We'll Bury You! Full-length, 1990
No Brain No Pain Full-length, 1994
03 Full-length, 1997

HELLRAPER (FRANCE)

80's black/thrash obviously influenced by Venom with elements of speed and even power metal, but the production is so bad that it sounds more like a rehearsal which the band must have done half-drunk (or completely) with no any serious intentions whatsoever.

Feed Bitches With Satan's Seed Demo, 2003

HELLTHRASHER (CANADA)

A brutal, ugly mix of thrash and grind-core, with short, ultra-fast songs, and various vocal styles; not for the squeamish.

Demo Demo, 2004

HELLWITCH (USA)

A legendary band whose very aggressive, but at the same time very technical blend of thrash and death metal has made them really stand out of the pack. Their style has been a very big influence on the technical death metal movement which flourished in the mid-late 90's. Even nowadays few are the bands who can mix those two sides of metal as well as them. "Syzygial Miscreancy" is an explosive debut, sweeping the listener away from the very first moment, with the opening chaotic technical and very fast riffs of "Nosferatu": a brutal ball of fury, seldom surpassed before or after. The later material is even more impressive, excelling both in the technical and aggressive department: "Viral Exogence"- a masterpiece of brutal technicality, the death metal killer "Sentient Transmography" (the riffs here will stun you!), followed immediately by the slightly more conventional thrashers "Pyrophoric Seizure" and "Purveyor Of Fear". The first genuine technical thrash/death metal album, this great work remained the band's only full-length release.
"Terraasymmetry" sounded like a good "testing of the soil" defore another album: "Terraasymmetry" is an awesome twisted technical piece, which boasts superb guitar work, and sudden blasting sections, coming out of nowhere, only to be replaced by another portion of swirling, jumpy riffage. "Satan's Wrath" is surprisingly more ordinary, a pretty straight thrasher, which starts like early Celtic Frost, in a heavy, stomping manner, before speeding up later, with a slight technical edge. "Dawn of Apostasy" is a brutal technical death metal piece, with a nice thrashy slower break in the middle.
The band called it quits, just when the technical side of death metal had started to take a more certain shape. They missed the golden age of the genre, to re-appear in 2005, with another EP. If we exclude the hysterical screechy vocals, which might get on your nerves quite a bit, the rest is pretty much in the vein of the band's older material. The music is technical, but not as flamboyant, and the sound stays closer to thrash, with the few exceptions of scattered blast beats. Brilliant technical numbers, like "Mythologicalies" and "Epitome Of Disgrace" reach the level of the previous achievements, showing the guys in a very inspired form, but another inexplicable disappearance followed suit. Apparently one full-length seemed to be enough, and for the future it would be no surprise if another EP arrives from their camp.

Syzygial Miscreancy Full-length, 1990
Terraasymmetry EP, 1992
The Epitome of Disgrace EP, 2005

HELSTAR (USA)

One of the greatest American metal bands. The band's beginnings are firmly in American power metal, one of the finest achievements of the genre. On "Distant Thunder" the band entered the thrash metal arena in a very impressive manner, paying tribute to the first genuine speed/thrasher: Scorpions' "He's a Woman, She's a Man" . "Nosferatu", which came a year later, is one of the definitive technical power/thrash metal releases of all times. Having reached the summit of their career, the band split up.
James Rivera refused to put the Helstar spirit to rest, and with his new band Vigilante continued in the same vein, with this band's demo being vintage later period Helstar with some magnificent progressive thrash pieces. How the rest of the band gave their agreement for Rivera's new band to impersonate Helstar, is still a big mystery: "Multiples Of Black" included only two songs from the very strong demo, and they were the weakest ones; as a result we have a failed attempt at very complex, modern sounding progressive thrash metal. There is little to remind of old Hesltar here, and even the excellent cover of Judas Priest's "Beyond The Realms Of Death" could not save the sinking ship. James Rivera never tried to record again under the Helstar name, and he has been seen in different bands around including several of his own new projects.

Burning Star Full-length, 1984
Remnants Of War Full-length, 1986
A Distant Thunder Full-length, 1988
Nosferatu Full-length, 1989
Multiples Of Black Full-length, 1995

HEMATOMA (PORTUGAL)

A great piece of classic 80's thrash metal; the songs are most in the mid-tempo with a slight hint of groove, but also featuring some cool semi-technical riffs and nice head-bangers: "Sleep" despite the sleepy title, is a very good example of the latter. Hopefully the full-length will hit us soon!

For Yours We Wait EP, 2005

HEMLOCK (USA)

Heavy death/thrash metal of the modern, 90's type with horrible hardcore vocals. The music is not as groovy as you might think, but is quite energetic; the sound is somewhat mechanical and dry, recalling Meshuggah, but the guitar work is much more ordinary, more along the lines of Puncture or No Return's "Seasons of Soul".

Moonmaniac Demo, 1996

HEMLOCK (USA, Las Vegas, NA)

Based on "No Time For Sorrow", this band play typical modern thrash, sometimes descending to hardcore-ish heavy/thrash ("Backstabber"), sometimes jumping on the melodic death metal wagon ("Beautality"). There is a big doze of groove involved, which suits well the gruff, death metal vocals, which are accompanied by a few other styles as well. The straight intense thrashers ("The Reason") are not too many, and the predominant tempo is mid-paced, with numerous melodic leanings.

Shut Down Full-length, 1999
Pigeon Holed Full-length, 2001
Bleed The Dream Full-length, 2004
No Time For Sorrow Full-length, 2008

HEMORAGY (FRANCE)

Based on the EP, which is whole 9 songs long, and could easily pass for a full-length, these guys offer melodic power/thrash with a classic vibe. The music is enjoyable, with some cool lead guitar work, but not very hard-hitting in the first half; it will probably remind you of Meliah Rage's early period, or Laaz Rockit's "Know Your Enemy". With "Ghost Riders" things become really interesting: a mighty thrasher which raises the level admirably, and what follows is by no means worse: the stomping crusher "Jump into the Bestial Pit" which even has a Celtic Frost-shade, followed by another fast-paced track: "The Final Horseriding". "Guitar Killer" is a pure riff-fest which would make you listen to the first half of the EP again, just to check if you haven't slept through it the first time. Although a bit uneven, this effort is quite a promising start, and with a bit more focus next time, these guys could be one of the new stars of French thrash metal.

Demo 2003 Demo, 2003
First Blood Demo, 2004
Jesus King Of Wine EP, 2007

H�MSYTHRE�XCK (FRANCE)

There is a really high quality in the French underground metal scene of the 80's. This is excellent Slayer-esque thrash with great sharp, quite technical at times riffs, and nice lead guitar; aggressive and mostly up-tempo with some occasional speedy breaks. It opens with a cool instrumental piece ("Codex Popuhl-Vuh") which is followed by a superb technical number ("The Gaudriole") where the guitar work will make even some of the Shrapnel heroes envious. The vocals are a bit on the dull side, I guess, with an impassionate, listless tember, slightly recalling Rumble Militia. If having been given the chance, these guys could have been worthy competitors to even the mighty ADX.

Le Christ Pantocrator Demo, 1988

HERESY OF THIEVES (UK)

Modern thrash/death which clings between Dark Tranquility and Terror 2000; the guitar work is quite good, and the pace is mostly fast, with some use of blast beats. The singer's shouts are too high sometimes, and could be annoying to some; there are also some low death metal growls involved.

The Code EP, 2006

HERETIC (USA)

This is the band from where Mike Howe (ex-Metal Church) started his career in metal. He is clearly the star of the show, with his great vocals pretty much along the lines of the ones he later used in Metal Church. That's why comparisons between these two bands are inevitable; the band's style is not as aggressive as the first two Church albums, but is definitely more thrashy than the period with Mike Howe. The EP is pure power metal with some touches of thrash, whereas the full length jumps on the thrash wagon keeping the power metal elements, by adding some speedy ones as well. The guys were meant to make an impact on the scene if it wasn't for Howe's untimely exit to revitalize the Metal Church's career.

Torture Knows No Boundary EP, 1986
Breaking Point Full-length, 1988

HERITAGE (GERMANY)

This band featured two members of the death/thrashers Protector. The style has very few resemblances to Protector, but is quite good speedy thrash along the lines of Necrodeath and Kreator, with some slight shades of death metal, and good, Mille Petrozza-like vocals.

Patient Zero Demo, 1988

HERMETICA (ARGENTINA)

One of the leaders of the Argentinian metal scene along with Lethal and Horcas. Hermetica are the most melodic of the trio combining thrash, speed and power metal. Their first two works contain the harder, more aggresive material, and are the band's most popular works. Later their music partially lost its edge, and the more modern releases have introduced some more melodic, classic heavy metal elements.

Herm�tica Full-length, 1989
Int�rpretes EP, 1990
�cido Argentino Full-length, 1991
Victimas Del Vaciamiento Full-length, 1994

HERRATIK (AUSTRALIA)

A very good debut which features a good mix of thrash and death metal, not too far from the first two Six Feet Under albums, but with some Gothenburg-style guitar work at times, and a more thrashy attitude, including a nice acoustic instrumental: "New Era".

Wrath-Divine Full-length, 2006

HERRUMBRE (URUGUAY)

Based on "Perros Cimarrones", this is power/thrash metal similar to Horcas and Hermetica (it seems as though the Argentinian and Brazilian bands have established the standards for the rest of the continent to follow). When the guy sings in Spanish, things are not too bad, but on the last song which is a cover of Judas Priest- "Metal Gods", the singer's pronunciation is simply laughable.

Tiempo arriba y sangre adentro Full-length, 1999
-Perros Cimarrones Full-length, 2003

HEVEIN (FINLAND)

A very promising band from the always full of surprises Finnish metal scene, who play somewhat progressive thrash with classic heavy metal parts, and a strong use of violins which immediately calls to mind the Dutch Blind Justice. Hevein are more melodic than this other band, with some calm acoustic parts, as well as female vocals in addition to the clean and more thrashy ones used on the album; a really worthy release.

Sound Over Matter Full-length, 2005

HEXEN (USA)

A very cool speed/thrash metal album, quite frenetic at times, but with also some nice melodic passages.

Heal a Million...Kill a Million Full-length, 2005

HEXENHAMMER (USA)

Black, power and thrash metal shake hands on these two demos; the songs are longer: 6-7 min, but the music is not technical, but by no means boring; it has this slightly black-ish quality typical for some later bands like the Finns Barathrum, or the Swedes Bewitched. The tempo is mostly mid-paced to slow, almost doomy, but the thrashy guitars are always there to keep the listener on his toes. "I'm Alive" speeds up, and despite its monotonous character, has an almost hypnotic effect with its repetitive, but impressive main riff. This is an unconventional, interesting take on thrash which proved influential on some future acts.

Hexenhammer Demo, 1989
Underground Demo, 1990

HEXENHAUS (SWEDEN)

The finest thrash metal band that the Swedish metal scene ever produced. The band's style is state-of-the-art technical thrash of the mid-paced variety, with complex song writing and fabulous guitar work courtesy of Mike Wead- arguably the finest Swedish guitar musician after Yngwie Malmsteen. Their first three albums are a must have, representing the technical thrash sub-genre at its absolute best. The band disappeared in the early 90's with Mike Wead taking part in other Swedish bands (Abstrakt Algebra, Memento Mori, etc.). Hexenhaus got together again in 1997 for the recording of their last album "Dejavoodoo" which sounds a lot more like the bands with whom Wead has been involved during the long break; this is progressive power/doom with few hints of thrash seeing the band taking a new direction, co-ordinated with the modern tastes. After that Mike Wead joined the King Diamond team and the rest formed Fifth Reason- a very good progressive power metal band who continued the style of "Dejavoodoo" with more nods to the old Hexenhaus sound.

A Tribute to Insanity Full-length, 1988
The Edge of Eternity Full-length, 1990
Awakening Full-length, 1991
Dejavoodoo Full-length, 1997

HEXLUST (USA)

Old school thrash, quite well done, with fast intense riffage, reminiscent of early Kreator, with some crossover moments on "Toxic High", and two covers: Sodom's "Sodomy and Lust" and Sepultura's "Troops of Doom".

Rehearsal Demo, 2008

HEXX (USA)

Hexx began as a classic heavy/power metal band, but quickly adapted their style to the more fashionable speed/thrash metal sound on their second album. Their initiation into thrash begins with "Under The Spell", which mixes power, speed and thrash in a way not too different from Laaz Rockit's "Know Your Enemy". The music is not too hard-hitting yet, but energetic pieces, like "Out Of Control" and "The Hexx", stir the mood well.
The band discovered completely their potential on "Quest For Sanity"- a masterpiece of technical thrash, recalling even the mighty Coroner at times. This is full-blooded thrash now, no shades of power metal anymore. The guys play intensely on the first 3 songs, which are great crushing thrashers, the last of which: "Mirror Of The Past", features some nice technical hooks, to suggest at what would come very soon. "Racial Slaughter" preserves the aggression, even goes one level up, but the guitars are simply brilliant, providing a mighty riff-fest all the way. "Sardonicus" follows in the same vein, by increasing the technicality. The "Bonus Jam" at the end is, of course, a joke piece.
"Morbid Reality" elaborates on the technical aspect, but the sound has become much more aggressive, at times being all-out death metal. Some songs are really fine exercises on fast, technical death/thrash: "Birds Of Prey", but the shorter, more accessible and more thrash-based tracks seem to work better: "Blood Hunter". The guys are not for speed only, and some songs are slower, but still quite complex experiences: "Fire Mushrooms", but the other extreme is also covered, with the ultra-brutal, grinding "Morbid Reality", which combined with the swirling technical riffs, could cause you a headache. Another joke song, this time longer and better, is included: "Spider Jam" (the guys like those jams!), this time placed in the middle. With all these stretches into all directions, despite its undisputable fine moments, this album is not such a satisfying listen. The band could have definitely improved on later releases, but this remained their last leagcy to the metal world.

No Escape Full-length, 1984
Under The Spell Full-length, 1986
Quest for sanity EP, 1988
Watery Graves EP, 1990
Morbid Reality Full-length, 1991

HEXXED (UK)

Based on the "Transgression" demo, these guys from Belfast play excellent technical/progressive thrash/death metal. If you can imagine a more vicious and heavier version of Coroner, "assisted" by quite a few time changes and swirling riffs which would fit perfectly even on a Mekong Delta album. With the technical metal scene coming to power again, this band could play a major role if given a chance by the labels.

Perish The Sacred Demo, 2000
Transgression Demo, 2003
Where Gods Look Away Single, 2005

HIDDEN MENACE (USA)

This band is virtually one person only- the multi instrumentalist Randy Roland, who never took part in any other formation. Based on the 1989 demo, this is very cool power/thrash metal which sounds close to Savage Grace, Griffin and Nasty savage's debut. The music is heavy and mid-paced, even acquiring some doom metal tendencies ("Born Too Late"). It creates a somewhat monotonous impression as there is no speed involved at all, and all the songs tend to merge into one another.

Demo Demo, 1989
Hidden Menace Demo, 1991
Seven Doors of Death Demo, 1992
Corrupted Judgement Demo, 1998

HIDDEN TIME (RUSSIA)

A really good 3-song EP of energetic classic thrash with a slight technical edge, and great melodic leads, which recall the Swedish metal scene of more recent times, but are too good to be ignored. The last track slows down, and takes more power metal-based dimensions. The duel between the death metal main vocals and the clean ones is well done, and is not annoying.

Out Of Control EP, 2007

HIGH HYPNOTIC (FINLAND)

Modern thrash with hardcore vocals which sometimes are mixed with some cleaner ones, and an overall style not miles away from The Haunted, including the Swedes' more experimental period (their last two albums).

High Hypnotic Demo, 2004
Pink Noise Conductor Demo, 2005
Armed and Dangerous Demo, 2005

HIPNOID (BRAZIL)

Melodic heavy/thrash metal, reminiscent of 90's Flotsam & Jetsam, or Amnesia.

Mankind Full-length, 2001
Chaos Full-length, 2005

HIRAX (USA)

The band's vicious style consisting of short speed/thrash outbursts topped up by the wailing high-pitched vocals of Katon W. DePena, remains one of the more impressive moments of the 80's thrash metal scene. Fifteen years later the band resurfaced with "Barrage Of Noise" which contained some furious thrash of the old school, but this time the songs are longer and somewhat heavier. This was a decent, but not a very impressive release, and noone suspected how hard these guys would hit with their next offering "The New Age Of Terror"- a stunning piece of classic thrash at its most shining best. With a new EP released in 2007, virtually in the same striking vein, Hirax are obviously getting ready to hit us hard again pretty soon.
"Chaos And Brutality" offers another package of 4 tracks (these guys seriously want to release all their tracks from the eventual full-length; will there be any surprises there at all!?). It starts with a cool heavy, mid-paced, short instrumental ("100 000 Strong"), before it starts thrashing awesomely with "Chaos & Brutality". "Lucifer's Infierno" serves as an intermission to the next piece- "Walk With Death", which is another cool, mostly mid-paced thrasher. I guess, with one more EP of the kind, the band might not need to release a new album. But one never knows...

Raging Violence Full-length, 1985
Hate, Fear And Power Full-length, 1986
El Diablo Negro EP, 2000
Barrage of Noise Full-length, 2001
The New Age Of Terror Full-length, 2004
Assassins Of War EP, 2007
Chaos And Brutality EP, 2007

HJALLARHORN (NORWAY)

Despite the title of their last demo, this band are not entirely classic heavy metal defenders. Their music has a certain doze of more modern sounding thrash, not too far from modern day Overkill, or Metallica's Black Album, as well as some stoner/doomy riffs.

Six Track Metal Attack Demo, 2004
Trilogy of Lightning Demo, 2006
New Wave Of Classic Heavy Metal Demo, 2007

HOAX (FRANCE)

Based on "Ego Eater", this is a combination of thrash and classic heavy metal somewhat similar to mid-period Exciter ("Long Live the Loud") or Hellmasters. Most of the time the pace is quite energetic, and the music packs a punch in a jolly, playful way.

Ego Eater Full-length, 1991
Pressure Full-length, 1994
Brainstorm at Dawn Full-length, 1995

HOBBS' ANGEL OF DEATH (AUSTRALIA)

This band released a fairly good, Slayer-influenced debut in 1988, which offered fast, intense music for most of the time, as well as some longer, more elaborate songs ("Marie Antoinette"), including more melodic guitars and cool atmospheric, quiet breaks. Seldom could one catch some more stylish, semi-technical hooks ("Brotherhood"). It was interesting to see whether the band would give more room to their more ambitious, and arguably more intersting side, but they got lost shortly after the release.
"Inheritance" came after a long, 7-year hiatus, with very few fans remembering the band. It's far from disappointment, though, with some of the songs thrashing with full force in a great old school way ("Depopulation", the brutal, death-tinged "Skeptics"). The band's more technical side, which remained to be further developed, has found realisation in some heavy, slower numbers ("Revenge"), but later the diversity is quite big, with acoustic instrumentals, some pure death metal explosions, the inevitable "flirtations" with the modern, groovy sound, tracks with a lighter, crossover spirit, and one excellent smashing speed/thrasher as a finishing touch ("Lost Faith").

Hobbs' Angel of Death Full-length, 1988
Inheritance Full-length, 1995

HOKUM (GERMANY)

This is a good stuff: laid-back, mid-paced technical thrash with death metal vocals which speeds up occasionally, with some slight groovy tendencies, and good melodic lead guitar. The music is slightly reminiscent of the last two Massacra albums, but is more melodic.

First Blood Demo, 2005
No Escape EP, 2006

HOLIER THAN THOU? (USA)

Very good, fast-paced thrash/crossover. Short, explosive tracks, which are not mindless bashing, but come with some nice sharp thrashy riffs, and even catchy choruses, albeit of the shouty, hardcore-ish variety. On the most aggressive moments the guys are close to Cryptic Slaughter, but most of the time the music flows in the spirit of Ratos de Porao and early Prong.

The Hating of The Guts Full-length, 2001

HOLOCAUSTO (BRAZIL)

The band's debut was typical for the Brazilian metal scene of the 80's: raw, aggressive thrash, but somewhat more stylish than the rest of the pack. "Blocked Minds" softened the course, bringing other influences on the table: Prong (some hardcore intensity and the vocals), Razor (some occasional faster tracks- "Hunger"). The music is more professionally done, mostly mid-tempo, and the guitars have an interesting dry sound, which became much more fashionable later in the 90's. "Negatives" was a huge surprise, being a very unexpected, but a truly impressive change into technical thrash ala Voivod. The dry sound of the guitars remains, but the riffs are much more intriguing and interesting, still retaining a strong edge and an energetic pace ("Austroptecus Tecnologicus", "Muted By Fear"). Even the most technical numbers also flow nicely, with no much complexity going ("Negatives", "Congratulations, Mr. Money"). Later the band radically modernized their sound to the point of absurdity, and lost their significance to the thrash metal world.

Campo de Exterm�nio Full-length, 1987
Blocked Minds Full-length, 1988
Negatives Full-length, 1990
Tozago As Deismno Full-length, 1993
De Volta ao Front Full-length, 2005

HOLOCROSS (USA)

The band's debut was good Razor-like thrash metal, probably less intensive (compared to "Shotgun Messiah"). 17 years later, the sound hasn't moved a bit, featuring the same intense old school sound; this time the guitar work is more aggressive, albeit a bit dry, and the singer varies his approach more often. The intensity admirably picks some proto-death character at times("Painful Reminder", "The Bludgeoning"), but the music's more attractive side are the heavier, slower pieces, recalling early Meshuggah ("Ded Bolt", "Deathrattle"), with their impassionate, mechanical atmosphere. Some softer power/thrashers (the closing "A.I.M.") are also included, to add up to the interesting, varied nature of this album.

Holocross Full-length, 1988
Hypercaust Full-length, 2005

Vibrations of Doom

HOLOSADE (USA)

Power/thrash metal, poorly produced, similar to early Helstar and Tension, with some direct nods to classic heavy metal ("Nightmare Reality"), but not as impressive. The singer does a good job, with his clean, mid-ranged voice, which easily picks higher notes, without sounding annoying. The guys only seldom thrash with force ("Look Into The Mirror", "Madame Guillotine"), but even those moments come served with more melodic heavy/power hooks. "Psycho" is a great speed/power track, though, with powerful riffs and an energetic galloping tempo, and "Welcome To Hell House" is not too far behind, being more melodic, but fast and energetic all over. Still, there could have been more of the kind to make this album more appealing to the thrash metal fan.

Hell House Full-length, 1988

Vibrations of Doom

HOLY MOSES (GERMANY)

The first female fronted thrash metal band from Germany, Holy Moses are often considered the best representative of the genre right after the "holy three"(you name them!). "Finished With The Dogs" is a thrash metal classic which established the band as a major force on the German metal scene. Its follow-up took a heavier and more technical, even progressive at times approach, but was equally as effective. "Terminal Terror" showed that the band had still more to offer, with its brilliant technical thrash. This was obviously the band's creative peak, as their career started going down after this one, with "Reborn Dogs" trying to sound more aggressive, even death metal-like, and "No Matter What's The Cause" making things worse with its groovy, modern sound (this is the only Holy Moses album in which Sabina Classen doesn't participate). The new millennium saw the band finding its way to the forefront of thrash metal again, with another string of quality releases.

Queen of Siam Full-length, 1986
-Finished With the Dogs Full-length, 1987
The New Machine of Liechtenstein Full-length, 1989
World Chaos Full-length, 1990
Terminal Terror Full-length, 1991
Reborn Dogs Full-length, 1992
No Matter What's the Cause Full-length, 1994
Master of Disaster EP, 2001
Disorder of the Order Full-length, 2002
Strength Power Will Passion Full-length, 2005

HOLY ORDER (CANADA)

First rate technical thrash along the lines of Coroner and Infernal Majesty. This is great music, as the guys are not "strangers" to some more aggressive riffage ala Slayer ("Hateful Rage") or some fine speedy smashers ("Crack Down"). This is an encyclopaedia of expertly crafted thrash metal; very highly recommended.

Hateful Rage EP, 1990

HOLY TERROR (USA)

Holy Terror were founded by the former Agent Steel guitar player Kurt Kilfelt. His new band impressed in a manner no worse than his old band, offering a pleasant deviation from the standard thrash formula, and are one of the most respected American thrash metal bands. Their style is speed/thrash with some NWOBHM elements and guitar harmonies which will remind you of Iron Maiden. On top of that we have very interesting vocals, which range from nice clean ones to proto-death growling, to some slightly strained, but effective husky ones. This guy is a real find with his unique ability to create some of the most infectious choruses; they are not exactly melodic and sing-along, but the way he delivers the lyrics on them is brilliant.
"Terror and Submission" starts in an uncompromising speed/thrash fashion ala Agent Steel's debut with the lightning "Black Plague". Later the album offers another, very interesting material: the galloping power/thrasher "Evil's Rising", the speed monster "Mortal Fear". For a while the sound descends to more common, but still impressive heavy/power metal ("Guardians of the Netherworld", "Distant Calling"), before returning to the speed/thrash field with "Terror & Submission". "Tomorrow's End" excels in speed (the album stays more on the speed side, but this is hardly a complaint), and "Alpha Omega" closes the album in a truly remarkable way, featuring some superb dual lead guitar attack.
"Mind Wars" also starts in a fairly aggressive way with the smashing fast "Judas Reward". The speed even increases for the follower "Debt of Pain", and later the guitars become sharper, and heavier, and the songs longer. Again some classic heavy metal tracks roam around ("The Immoral wasteland"), but the rest is speed/thrash at its best- check out the killing aggressive smashers "Do Unto Others" and "No Resurrection", and the glorious album closer "Christian Resistance"- a speed metal classic, never surpassed all these years! With these two albums this band quickly joined the very front of thrash metal, but like many others from the same time didn't last long to enjoy this status more.

Terror and Submission Full-length, 1987
Mind Wars Full-length, 1988

HOMICIDE HAGRIDDEN (ITALY)

Slayer-worship done with style (think their late 80's period). The vocals are in the hardcore camp, with the exception of the ones on the dark, haunting opener "Dead Black Sun", and at times resemble the ones Tom Araya himself was using on "God Hates Us All". The guitars are both sharp and with a nice melodic edge, and the music never gets too aggressive, and fast-paced numbers like "The Hunt" and "Screams" are not quite common. The guys concentrate on heavy, but also technical riffs ("Constriction") with a distinctive dark edge. "Scorn" is a particularly impressive song, starting in a funereal doom fashion, before turning into a cool intense thrasher.

Where Angels Work EP, 2000
Dead Black Sun Full-length, 2004

HOPE (CROATIA)

Based on "Battle Within", this is a Christian band who play modern thrash/death, which boasts some nice speedy headbangers ("Eyes Of The Deceiver", "Redemption"), along with some cool deviations, like the epic-tinged "In Temptation (Homage a B.S.)", or the gothic, Lake of Tears-like "Unconditional Love". And let's not forget the brilliant intro and outro, which are more than just artificial ways to begin and end an album.

More Than Words Full-length, 2003
Light of the Salvation Full-length, 2005
Battle Within Full-length, 2007

HORCAS (ARGENTINA)

Horcas are the one of the three most significant thrash metal bands from Argentina. Their style is not too different from the one of the other two (Lethal and Hermetica), being speed/thrash/power metal with nice guitar work and good vocals. After two fine albums the band took a break, and five years later were ready again with a new offering; the style was slightly adapted to the modern tendencies, but quite a few of the songs were still hitting as hard as their older material.

Reinar� la Tempestad Full-length, 1990
Oid Mortales el Grito Sangrado Full-length, 1992
Vence Full-length, 1997
Eternos Full-length, 1999
Horcas Full-length, 2002
Demencial Full-length, 2004
Asesino Full-length, 2006

HORDE OF TORMENT(USA)

This band were known under the name Pestilence earlier. The style here is better: awesome aggressive thrash with somewhat hardcore-ish vocals. The music is in the vein of the Canadians Overthrow, or Violence's "Eternal Nightmare", but the guitars at times have this genuine technical edge, plus the occasional adherence to death metal. Albums like these tried to keep up the flame of thrash in the early 90's.

Product of a Sick Mind Full-length, 1991

HORFIXION (CANADA)

A very worthy technical death/thrash metal band- another fine addition to the very technical Canadian metal scene. The band's style kind of reminds of another great Canadi