Copyright (c) 2007 THE THRASH METAL GUIDE
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z N.M.E. (USA)
Based on the debut, this is raw, simplistic thrash (or black) along the lines of Venom; music-wise the merits are very few, but it has definitely had an impact on the future black metal scene.
Unholy Death Full-length, 1986 My Space N.Y.C. MAYHEM (USA)
Based on the "Mayhemic Destruction" demo: these guys pull out raw, aggressive thrash, which occasionally catches the ear, but most of the time this is brutal bashing, with the drums, guitars, bass and vocals representing one thick wall of not very intelligible sound. Despite its raw nature, it's clear that the band were trying to push the boundaries of the genre towards more extreme fields, the way acts like Messiah, Possessed, Death, etc. did, but in a much better way.
Mayhemic Destruction Demo, 1985 NAILBOMB (BRAZIL)
This band was formed by Max Cavalera, after he left Sepultura; he joined efforts here with the Fudge Tunnel member Alex Newport. Together they have done a good job, with the style of their project coming as a combination of the two bands: this is industrial thrash, which is more up-tempo (but nor really fast), and less noisy than the works of Fudge Tunnel, and more dynamic, and much better than the last Sepultura album with Max ("Roots"). The guitars crush admirably, and Cavalera does a very god job behind the mike, without betraying his traditional singing style. Perfectly conformed with the tastes of the day, "Point Blank" was a very valuable addition to the growing industrial metal scene, and could be well placed among the best that year, along with Skrew's "Dusted" and Prong"s "Cleansing".
Point Blank Full-length, 1994 My Space NAILED (CROATIA)
Modern, groovy thrash metal ala Pantera.
Mankind Demo, 2002 Official Site NAILGUNNER (FINLAND)
The vocals would definitely be a pull-back to some. These unholy snarls are almost contrasting to the music which is otherwise very competent, semi-technical thrash quite close to another Finnish band of recent years- Lethargy. Nailgunner's songs are shorter and more direct, but the overall effect is firmly on the positive side; a very cool band.
All Life Ends Demo, 2004 Official Site NAMELESS (PORTUGAL)
The album title could easily win the "most tasteless album title" award. So apart from "Portuguese Bastards", what else do we have here? There are similarities to Kreator (especially in the vocal department), but Nameless' music is more laid back and less aggressive. It contains a certain crossover element ("The Reasons Of Life", "Feel Like Shit"), some attempts at a more serious song writing ("When The Maniac Comes Near"), but most of the time this is just an average, run-of-the-mill thrash metal effort.
The Overcome of the Portuguese Bastards Full-length, 1996 My Space NAMELESS CRIME (ITALY)
American power metal with a certain thrash-flavour is what these Italian guys offer here. The music is actually quite satisfying, reminding of 80's heroes like Heretic, Meliah Rage, Laaz Rockit and Metal Church.
Nameless Crime Full-length, 2003 My Space NAPALM (USA)
The band started in a fashion similar to their colleagues Anihilated with energetic, hardcore-ish thrash which was quite a winner despite the lack of many musical merits; the album offered some cool deviations from the energetic delivery: the slower, atmospheric 8-min "Act of Betrayal", the mid-paced stomping thrasher "Combat Zone", and the nice galloping piece "Gag of Steel", but the shorter, aggressive explosive pieces, like "A.O.A." and "Attack on America" are truly the more attractive side of the band's music. "Devastation", despite its brutal title, is the most melodic song, introducing some softer, power metal riffs. "Zero To Black" puts most of the hardcore elements away, and is overall more melodic and less impressive, exiting the thrash metal field on quite a few times.
Napalm EP, 1986 Vibrations of Doom NARCOTIC GREED (JAPAN)
Based on "Twicet Of Fate", this is excellent semi-technical thrash, even touching Equinox and Voivod on the most inspired moments. The vocals are melodic, and at times the higher notes might annoy you. The album begins with the energetic thrasher "Don't Trust Anybody", which also puts forward some more stylish decisions; "Shotgun Highway" increases the intensity and speed, and consequently fails to develop further the technical tendencies suggested on the opener, but is a very satysfying short headbanger. "Deleted Illusion" thrashes intensely as well, but the guitar sound takes a more interesting edge. "Thug City" is quite an unpleasant surprise, sliding down to hard'n heavy waters, topped by the worst vocal performance on the album: dragging, uninspired number, bad even if intended as a filler. Fortunately, the following songs return to the more dynamic formula, this time coming with a more technical approach, resulting in the album's finest time (Damn' Em All", "Humanchain"). The closer "End Is Near" is another direct up-tempo thrasher.
Fatal Full-length, 1994 NASFERATU (USA)
Aggressive, occasionally brutal thrash/death similar to the French acts Mercyless and Agressor. There is quite a variety at display here: heavy, slower sections, very fast intense ones, mid-paced ones, you name it. The vocals are also all over the place, stretching from very low-tuned death metal growls to some unholy snarls. "Fortress of Solitude" is a very cool thrasher with nice technical hooks, which could sit proud even on Sadus' "Visions of Misery".
Plague of Doom Demo, 1991 NASTY SAVAGE (USA)
A magnificent representative of the American metal scene. Their debut is power metal of the very heavy variety, with some timid nods to thrash, a really promising debut, with a sinister, dark sound. The heaviness of the debut was translated onto "Indulgence", which was full-out thrash, with great riffs and a crushing, steam-roller like delivery; some genuine technical hooks cold be heard sparingly, suggesting at something bigger to come soon. "Abstract Reality" is a nice transitional effort, offering 4 songs of technically minded heavy thrash, with clever guitar sections, and some truly impressive lead performance: a fine bridge between the more direct approach of "Indulgence" and the future one. "Penetration Point" is a first class technical thrash album, which could only be compared to the Coroner output; the intensity and the smashing heavy riffage have been lost partially, and some vortex-like sections may make the listener get lost for a while; still the band haven't forgotten about their more straight-forward past, and some tracks are all-out thrashers, this time with faster, more dynamic sections. Despite the high quality of the material offered on this one, a certain feeling remained that the band were capable of more. But they went underground after that, and stayed there until 2004; "Psycho Psycho" might be a disappointment to some, who expected a continuation of the marvellous technical thrash from "Penetration Point" since there are very few shades of technical performance here: the sound is closer to "Indulgence" than any other older work of the band, with its more conventional, smashing, in-your-face sound, but is by far one of the finest comebacks, attempted by the old veterans in the past few years.
Nasty Savage Full-length, 1985 Official Site NATAS (USA)
Brutal amateurish thrash, with elements of proto-death, and a considerable doze of hardcore; the band later changed their name to Not Us, and the style as well, moving more towards thrash/crossover.
Demo/Rehearsal Demo, 1985 NATASTOR (VENEZUELA)
Excellent old school thrash, with touches of death (mostly in the vocal department), and some gehuine technical moments, recalling early Sadus (minus the messy debut), and fine solo work. The album is quite atmospheric, with orchestral song-structures, and some use of keyboards. Some elements from the Swedish death metal scene can also be heard, along with a great bass-bottom. The music never gets too aggressive, but straddles between up and mid-tempo. Some great technical numbers ala later period Death are the highlight of the album: the atmospheric, but sharp "Flying in the Cloudy Sky", and the most aggressive song: "Mental Inquisition", which is graced by some fine Oriental guitars and speedy tempos. The closer is the only more death metal-based track, again recalling Death.
Natastor Full-length, 2005 Official Site NATHENOTHING (SPAIN)
Intense thrash mixing classic with modern riffs, with a heavy pounding sound, and a shade of groove.
Demo Demo, 2008 My Space NATHRATH (GERMANY)
Instrumental black/thrash, rich on atmosphere, which to these ears sounds like more accessible Burzum, mixed with less agressive Immortal. In other words, this is 70% black, and 30& thrash, mid-paced, with doomy elements, and two majestic intro and outro.
Demotion Demo, 2007 Official Site NATIONAL NAPALM SYNDICATE (FINLAND)
A cult thrash metal band, and for a good reason; their self-titled debut is one of the best thrash metal albums to ever come out of Finland. The music is often on the technical side, drawing comparisons to Living Death's "World Neurosis" (including in the vocal department, having in mind the newly acquired singing style from Torsten Bergmann on that album) on the most inspired moments. "Deathwish" is a more straight-forward opener, energetic and intense, slightly hinting at something more technical. "Silent Violence" thrashes with no mercy, but the guitar decisions have already become a bit more intriguing. "Lucy" is longer, and apart from the heavy, mid-paced more technical parts, some more aggressive thrashing still can be heard. "The Sunrise" is a nice little speed metal piece, followed by the aggressive thrash killer "Where Fears Reign". "Ante Mortem" comes with a more technical guitar approach, which doesn't get lost on the rest, and even increases, on the excellent "The Final Gathering": a fine combination of fast, aggressive and technical riffage. The guys probably needed one more offering of the same high quality, to reach even the mighty Stone, but they disappeared mysteriously.
National Napalm Syndicate Full-length, 1989 Official Site NATIVE INSTINCT (BELGIUM)
Based on "First Born", this band pull out some cool thrash metal obviously influenced by Slayer's late 80's period (both musically and vocally), but in order to increase the heaviness, they also add some doomy riffs ala Saint Vitus or Pentagram, resulting in a very crushing sound. Apart from the heavy guitars, one would easily find enough sharp, faster riffs for headbanging here, too. And, "Metal Heart" is not an Accept cover.
Native Instinct Full-length, 2000 Official Site NDE (USA)
Based on "End of Trust": this band offer ordinary, unimaginative groovy thrash. There's litle energy or dynamics involved; only for groove completists.
Falling Full-length, 1996 Official Site NEBUKADNEZZA (UK)
This trio pull out aggressive, fast-paced thrash with not very good shouty hardcore vocals; the music is really intense, with numerous death metal "decorations" (blast beats, etc.).
Nebukadnezza Full-length, 2002 Official Site NEBULIZER (BRAZIL)
A classic take on crossover/thrash, with the typical 1-2 min long tracks and the traditional energetic delivery.
We Are Whipcore Thrashers Demo, 2004 My Space NECK SPRAIN (HUNGARY)
Heavy groovy thrash, clinging towards Machine Head's mid-period, maybe more aggressive, but also slower, with moments recalling the stoner/doom movement ("Pray", "Blinded Creed"). There's no speed or energy put here, strictly for groove lovers. The last song "Dime" is actually a cool ballad, and the best song here; it's a tribute to...well, the title says it all...R.I.P.
Heavyweight-3rd Round Full-Length, 2006 NECKROFIGHT (HUNGARY)
This live demo offers cool retro thrash reminiscent of Forbidden's debut, energetic and speedy, with vicious Schmier-like vocals, but the singer here quite often adheres to the higher registers, screaming his lungs out, which is an annnoying addition, and hardly necessary. The closing track is an enjoyable, faithful cover of Sex Pistols' "Anarchy in the UK".
Live at Láng Műv. Ház Demo, 1990 NECRODEAD (CHILE)
Based on "Frustrated Message", this band play first rate technical thrash/death, quite fast and vicious at times, reminding of Hellwitch and Atheist, with great technical guitars, nice change of tempos, and fine deviations from the pattern (the opener "Rebelious Feeling" is a great moody, slow, technical number). "Cultural Elimination" speeds up, but only a little, remaining in the slower confines. The real aggression begins with "Fatal Existencia", and the rest is pretty much one of the summits of the technical thrash/death metal scene of the 90's. Striking melodies you might find here, both in the riff and the lead guitar department. The vocals are along the lines the aforementined bands: unholy semi-shrieks, at times semi-whispered. "Nevrose" is a brilliant 1-min acoustic instrumental.
Frustrated Message Full-length, 1994 NECRODEATH (ITALY)
The greatest thrash metal band that Italy gave to the world. This, however, could not have possibly been said after their debut which was a raw and amateurish hesitation between thrash and black metal. Two years later the band sounded like an almost different band with a great technical and, at the same time, aggressive sound tinged with some black metal again. Their style was very appealing and looked pretty much in pace with what was going on on the metal scene at that time, but Necrodeath split up. "Mater Of All Evil" is probably the best comeback album made so far, showing that despite the long absence the band haven't lost their touch to play some high quality metal. With four brilliant albums released after the reformation so far, Necrodeath are on top again like 17 years ago.
Into the Macabre Full-length, 1987 My Space NECRODEMON (USA)
Based on "Ice Fields Of Hyperion", this is thrash/death metal similar to the Americans Usurper: Tom G. Warrior-like vocals, heavy Celtic Frost-influenced riffs mixed with some brutal death metal. "Frozen Sorceror (Chant Of Making V)" is a particularly nice touch: an excellent off-beat melodic instrumental piece with a classy lead guitar.
Haunted Eons Full-length, 1999 My Space NECROFAGO (BRAZIL)
Brazil has a huge contribution to the formation of the extreme metal genres in the 90's. Based on the "Desire for Blood" demo, these guys take no prisoners with their brutal, fast thrash/proto-death metal. The musicianship is not on a very high level, and the sound is a bit messy, but it should work all right for fans of early Messiah and the pleiad of acts from Brazil: Sarcofago, Vulcano, etc.
Desire for Blood Demo, 1987 NECROFOBIA (BRAZIL)
Modern 90's thrash not miles away from Sepultura's "Chaos AD", but less aggressive. The heavy, smashing riffs are intercepted by some good headbangers ("Placebo", "Punch"), but this happens seldom, and the guys are quite faithful to the music of their peers most of the time. The lead guitar is quite good, but unfortunately it is not given much room here.
Dead Soul Full-length, 2004 Official Site NECROMANCER (FINLAND)
Based on the two 1988 demos, this band offer really good energetic thrash reminiscent of early Destruction, but the music here is faster. Demo II contains an enjoyable cover of the Judas Priest early hit "Rocka Rolla".
Rehearsal 1987 Demo, 1987 NECROMANCIA (BRAZIL)
A band who stick to the 90's Sepultura sound ("Chaos AD", "Roots", in particular), with a lot of groove and the other typical for the 90's gimmicks.
Necromancia Full-length, 1996 NECROMANCY (USA)
Based on the first demo, Necromancy play very good thrash with a certain aggressive edge, not too far from Slayer's "Hell Awaits" and Possessed's "Seven Churches". "Nuclear Legions" could be classified as one of the first proto-death tracks, based on its furious nature. Like many other bands who showed considerable potential on an underground level, these guys never got to the official-release stage.
Demo 1 Demo, 1986 NECROMESSIAH (ITALY)
Reportedly the band played evil black metal on earlier works. Based on "Antiklerical Terroristik Death Squad", this is an enjoyable mixture of black and thrash metal, quite close to the Swedes Bewitched, but more aggressive, with some of the black metal blast beats, which could have been a considerable part of their past, still present at times. Otherwise the music is not very aggressive, but delivers the goods, and has this playful rock-ish attitude, also typical for the works of veterans like Exciter and Motorhead.
...Instar Gladii In Corporem Christi Full-length, 2004 My Space NECRONAUT (CANADA)
Very good energetic classic thrash in the tradition of Slayer and Sepultura. This is great headbanging stuff, with some slight touches of death metal in the guitar department ("Immaculate Deception"), and two vocals "quarreling" throughout: both of the death metal type: one lower, the other-higher. The second half is more diverse, but still intriguing: "Cold" is a cool deviation from the hard-hitting pattern, being a slower, but also more technical number with some awkward clean vocals spoiling the picture a bit. "Vengeance", which follows right after, is an exercise in groovy thrash in the Pantera vein, and is the only unmitigated failure here. "Grey DK" features the finest guitar work, but is Gothenburg-influenced, not too far from At the Gates at their best.
Dawn of Damnation Begins Full-Length, 2003 Official Site NECRONOMICON (GERMANY)
The band's self titled debut is not far from the Minotaur's, both often regarded as the two weakest thrash metal debuts from the German metal field. "Apocalyptic Nightmare" is a much better effort, staying very close to early Destruction, and more particular- "Infernal Overkill" and "Eternal Devastation"; a resemblance further aggravated by the Schmier-like vocals. It sounds so close to those two that you might find yourself recalling this and that riff, from which Destruction song it might have been borrowed. Nevertheless, this is a great headbanging attack, with mighty sharp riffs and fast tempos, and long tracks, something which is again modelled after their mighty peers. The only thing which differs this album from its models, is the slow, melodic "In Memory", which is actually a tendency run by the band, to include at least one softer track on their works. However, this one is quickly cancelled by the immediate follower "Retributive Stroke": an aggressive fast riff-fest at its finest. The closing "The Following Century" tries to break the speedy pattern, by adding some slower, more moderate breaks, and admirably succeeds, coming up with a more complex, almost progressive arrangement: a "tool", which later found fuller realisation.
Necronomicon Full-length, 1986 My Space NECRONOMICON BEAST (BRAZIL)
Another cool thrash metal band from the very prolific these days Brazilian scene. The band's style is a cross between early Whiplash and Exorcist (there is a nice cover of that band's "Death By Bewitchment" at the end), plus some classic heavy metal tunes (" The Book Of The Necronomicon"), and a strange track which sounds like someone is playing a computer game ("Make War, Not Love").
Hell Thrash War Full-length, 2004 NECROPHAGIA (USA, CA)
Very good fast-paced thrash, closer to the examples from Germany rather than their home land: Sodom, Destruction, and above all, Kreator. There are touches of Slayer ("Feel My Knife") as well; the band never slow down and keep the pace very fast on both efforts, with the Slayer-influences more predominant on the demo, which is very aggressive reaching for the death metal borders at times, and the German ones more obvious on the EP.
Machine of War '95 Full-length, 1995
Vermination Full-length, 2002
Second Demo Demo, 1985
World Collapse 2003 Demo, 2003
A Moment Of Clarity Demo, 2005
In Vain Demo, 2006
The full-length is a great debut, featuring forceful thrash of the old school. The guys concentrate on speed and aggression, rather than technicality, like it was the case on the demo, and as a result we have Slayer's "Reign in Blood" brought into the new millennium. Don't expect any calm moments: this is all-out thrash assault until the end. "Craving Your Flesh" betrays the intense thrashing a bit, clinging more towards the speed/thrashing metal side ala early Whiplash; a situation corrected with the aggressive raging "Venomous Overdose". The closing "Torment In Pain" slows down, with pounding riffs, and just when one is happy to take a break from the guys' intense delivery, comes the closing section, which is another slab of fast furious thrash. This is a really impressive dedication to the 80's sound, done with inspiration and love to the genre.
Thermonuklear Thrash Metal Warfare Split, 2005
Outbreak of Evil Vol. III Split, 2006
Apocalypse, Now or Never Full-Length, 2008
Backdraft EP, 2004
Law and Persecution Full-length, 2006
Cruel Tranquility Full-length, 1989
Zero to Black Full-length, 1990
"Fatal" is a smashing debut, one of the finest albums to come out of Japan ever. This is perfectly executed classic 80's thrash with a Bay-Area flavour, recalling Forbidden's "Forbidden Evil" and Death Angel's "The Ultra Violence". Furious thrashers like the opening "As the World Is Burnt" and "Greed" are the backbone of the album, whereas "Scanning Hell" and "Lost Power" add a more technical, sophisticated touch to the proceedings. "Injector II" is a brilliant song, which combines the more technical side of the two preceding tracks, with the raging thrashing nature of the first two. "Disruption" loosens up a bit, being a more uplifting thrash/crossover. The genuine technical edge remains for the last two numbers, and is even more accentuated on, on the magnificent closer "Partial Existence": a riff-fest at its uncompromising best, covering less intense, more up-tempo galloping, and super speedy moments: an encyclopaedia of perfectly executed classic thrash.
Twicet of Fate Full-length, 2001
For Blood Is The Life Demo, 1992
Indulgence Full-length, 1986
Abstract Reality EP, 1988
Penetration Point Full-length, 1989
Wage Of Mayhem EP, 2003
Psycho Psycho Full-length, 2004
Internal Damnation Demo, 1986
Outcasts Of Society Demo, 1986
Their comeback work has acquired some modern tendencies, and is far less impressive than the band's strong debut, often going into a The Haunted, or modern day Overkill direction; it's not a total waste, though, and some tracks are really cool headbanging thrashers ("Falling to Pieces", "The Cross (I Have to Bear)"). The problem is that this energy gets lost too often, in the sea of slower, mid-paced, modern-sounding songs. The Untitled track at the end is less-than-two-minutes intense thrashing, and should have been more frequently heard there.
Resurrection of the Wicked Full-length, 2006
First Born Full-length, 2003
An Awful Rage Full-length, 2006
Fix Full-length, 1999
End Of Trust Full-length, 2002
Onslaught Full-length, 2004
Path To Dead Full-length, 2007
"Draculea" starts and finishes with some long atmospheric, symphonic instrumentals (quite good, by the way), but what comes between them, is nothing short of brilliant. The band do not betray their magnificent mixture of aggression and technicality; fast, intense tracks take turns with slower, black-tinged ones which work almost as well, and, for the fans of Venom there is a cool cover version of their hymn "Countess Bathory". The cover is surprisingly put in the middle of the album, followed by the excellent instrumental "The Golden Cup", with great lead guitars.
Fragments of Insanity Full-length, 1989
Mater of All Evil Full-length, 1999
Black as Pitch Full-length, 2001
Ton(e)s of Hate Full-length, 2003
100% Hell Full-length, 2006
Draculea Full-Length, 2007
Non-Divine EP, 2001
Incipit Fear EP, 2003
Allegiance to the End Full-length, 2003
Ice Fields of Hyperion Full-length, 2006
Brutal Mutilation Demo, 1988
Rehearsal Demo, 1988
Demo I Demo, 1988
Demo II Demo, 1988
Downfall / Liquid Sky EP, 1990
Retromancer Best of/Compilation, 2001
The Ultimate Stuff - Part 1 Best of/Compilation, 2002
The Ultimate Stuff - Part 2 Best of/Compilation, 2002
Check Mate Full-length, 2001
Cremation Demo, 1986
Antiklerical Terroristik Death Squad Full-length, 2007
Depending on the taste, some might find "Escalation" the band's finest hour, although the Destruction worshippers have by all means left their hearts with the previous one. The Destruction shadow can be felt here as well, but not as strong: the Volker "Freddy" Fredrich vocals have taken a more hoarse blend, delineating him from Schmier; the music also takes a turn away from their colleagues, greatly expressed with the smashing speed/thrashing opener "Death Toll": arguably the band's best achievement. "Dirty Minds" is the obligatory melodic, rock-ish track, but after it the assault continues unabated, although the sharp steel riffage from the last work has been replaced by a more melodic, but also quite effective, one. "Cold Ages" is a marvellous closer, returning to the more complex arrangements of "Death Toll" and "The Following Century", containing a brilliant lead passage in the middle, and great fast tempos. Despite the warm acceptance which this album received universally, the guys split up.
"Screams" came out of nowhere at a time when a few fans remembered who these guys were, and was a very good slab of classic thrash; hats down to the guys for not betraying the classic sound, and being able to come up with some fine headbangers ("Final Course", "Just Say No", the great smashing thrasher "Irreversible Destruction", which also boasts the finest guitar work on the album) to stir the frozen thrash fans' blood. The music, however, is not as hard-hitting as before, and sounds close to the new Schmier formation Headhunter (hey, these guys can not get rid of those comparisons!). The choruses are quite catchy, making the songs memorable, with an individual face. "Bitter Sweet Perversion" serves as the soft, melodic track, although it doesn't sound much softer than the rest, having in mind the not as intense nature of the material; or maybe this is the jolly crossover "Crushing Defeat"? Or the nice acoustic ballad "Ruins (They Will Cry Tomorrow)", where you will hear Fredrich delivering the best vocals a thrash metal act has ever come up with on a ballad. And finally, as a finishing touch, a short flirtation with the modern groovy sound ("Groovy Mouth"), still served with a solid doze of classic thrash riffage. Alas, the times were not right for the old school to return, and the band vanished once again.
6 years later Necronomicon reminded of themselves with a cool 4-track demo, containing 3 songs of classic German thrash with vocals, sounding very close to Schmier (it's the same singer), and one jolly crossover number: "Fireball"; this looked like testing the soil, before the guys strike with something new, but it took another 4 long years, before this something appeared. "Construction Of Evil" came in the same way as "Screams"- unheralded, but this time the time was chosen more appropriately. The music on the new one is once again closer to early Destruction than anything that the band have done in the not so distant past, and is a truly impressive old school thrash attack from beginning to end: direct, relentless thrashing pieces come from all sides, leaving you no room to breath. Well, the tradition has been preserved, and here comes "Alight": the melodic pause, always present on the band's works, but this time harder, showing its teeth here and there. "Fireball" shows some balladic tendencies in the beginning, but it fails to turn into the next quiet "stop" on the way, later continuing in a more aggressive manner. "Terrorist Attack" reminds of the more elaborate compositions, featured on the early efforts, but the guys' desire to keep on thrashing with no mercy (check also the 1.5 outbreak, which follows right after this one: "Insanity"!), leaves this process half-finished. Having returned with style on the scene, it would be interesting to see what the continuation of the Necronomicon saga will be...
Apocalyptic Nightmare Full-length, 1987
Escalation Full-length, 1988
Screams Full-length, 1994
...Possessed Again Demo, 2000
Construction of Evil Full-length, 2004